浅析接受美学视角下《洛丽塔》中的不确定性

发布时间：2018-08-04 13:40

【摘要】：弗拉基米尔?纳博科夫(1899-1977)被看做是美国二十世纪文学史中最富有盛名的作家之一。1958年自《洛丽塔》发表后,纳博科夫名利双收,享誉全球。英国作家格雷厄姆?格林称赞《洛丽塔》为1955年三部最佳小说之一。1959年5月,《洛丽塔》在美国《纽约时报》畅销书目攀升至第一位。《洛丽塔》主要讲述了一位中年男子和小女孩之间的畸形恋。小说出版后吸引了大量的读者和评论家,他们分别从道德,艺术手法,主题和后现在主义等角度研究该小说。但本文试采用接受美学的研究方法,从叙述、情节、人物分析和论述《洛丽塔》中存在的不确定性,旨在说明文本的不确定性是如何在阅读中激发读者意识和想象,并参与到作品意义的构建中。论文由三部分构成:引言,主体和结论。引言部分主要介绍弗拉基米尔·纳博科夫的生平及成就;《洛丽塔》内容概述以及国内外研究综述及接受美学理论的核心。第一章从叙事角度探讨了《洛丽塔》中存在的不确定性包括叙事人物间的矛盾性;叙事人称的转变和叙事时间的重叠而产生的不确定性,打破了读者的期待视野,诱导读者进行创造性填补,通过游离视野的汇合把握小说主线。第二章从情节角度着重分析《洛丽塔》中存在的不确定性包括小说情节的不连贯性;小说情节中的空白和小说情节的开放性而产生的不确定性。情节的不确定性激发读者的想象力,邀请并召唤读者进行对断裂处的连接和对空缺的填补。第三章从人物塑造角度分析小说中产生的不确定性包括人物的多重性;人物的模糊性和人物性格前后对比反差而产生的不确定性。人物的不确定性,引发读者深思,并呈现出生活中的纷繁复杂和精神世界的不安。最后一章是结论部分。作者通过以上三章,以接受美学的理论来分析《洛丽塔》中存在的不确定性,以揭示不确定性后暗指的意义,从而说明作品中的不确定性是邀请读者参与意义构建的基本结构,任何一部好的作品都是作家,作品和读者通力合作来完成。
[Abstract]:Vladimir Nabokov (1899-1977) is regarded as one of the most famous writers in American literary history in the 20th century. Since the publication of Lolita in 1958, Nabokov has been famous all over the world. English writer Graham? Green praised Lolita as one of the three best novels of 1955. In May 1959, Lolita climbed to number one in the New York Times bestseller. Lolita focuses on a deformed love between a middle-aged man and a little girl. After its publication, the novel attracted a large number of readers and critics, who studied the novel from the perspectives of morality, artistic techniques, themes and postmodernism respectively. However, this paper tries to use the research method of receptive aesthetics, from narration, plot, character analysis and exposition of uncertainty in Lolita, in order to explain how the uncertainty of the text can arouse readers' consciousness and imagination in reading. And participate in the construction of the meaning of the work. The thesis consists of three parts: introduction, subject and conclusion. The introduction mainly introduces Vladimir Nabokov's life and achievements, the content of Lolita and the core of domestic and foreign research and reception aesthetics theory. The first chapter discusses the uncertainty in Lolita from the perspective of narrative, including the contradiction between narrative characters, the uncertainty caused by the change of narrative person and the overlapping of narrative time, which breaks the readers' horizon of expectation. The readers are induced to fill in creatively and grasp the main line of the novel through the confluence of free vision. The second chapter analyzes the uncertainty in Lolita from the angle of plot, including the discontinuity of the plot, the blank in the plot and the uncertainty caused by the openness of the plot. The uncertainty of the plot inspires the reader's imagination and invites and calls upon the reader to connect to the break and fill the gap. The third chapter analyzes the uncertainty in the novel from the angle of character shaping, including the character's multiplicity, the character's fuzziness and the uncertainty caused by the contrast before and after the character's character. The uncertainty of the characters causes the readers to think deeply and presents the complexity of life and the uneasiness of the spiritual world. The last chapter is the conclusion. Through the above three chapters, the author analyzes the uncertainty in Lolita by the theory of receptive aesthetics, in order to reveal the meaning of the implied meaning after uncertainty, so as to explain that the uncertainty in the works is the basic structure in which readers are invited to participate in the construction of meaning. Any good work is written by the writer and the reader.
【学位授予单位】：河北师范大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：I712.074

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