西方现代小说符号化的关系形态及审美转向
发布时间：2018-12-12 15:44
【摘要】：在阐释学、接受美学等现代哲学文化背景的影响下,20世纪西方现代小说产生明显的符号化趋势。这一趋势是通过符号与小说各要素之间的种种关系而实现的。其主要关系形态大致有三种:第一,意象与符号的互文关系;第二,故事与符号的象征关系;第三,语篇与符号的形式关系。符号化趋势表明西方现代小说在功能、模式及话语等各方面均发生了审美转向。本文以巴赫金、皮尔士、朗格等符号学大师的理论为学理依据,以卡夫卡、海明威、马尔克斯、卡尔维诺、萨里那斯、罗斯等多位现代小说家的文本为对象,论述了西方现代小说符号化的关系形态及审美转向问题。
[Abstract]:Under the influence of modern philosophical and cultural background such as hermeneutics and receptive aesthetics, modern novels in the 20th century have a marked trend of symbolization. This trend is realized through the relationships between symbols and the elements of the novel. There are three main forms of relationship: first, the intertextual relationship between image and symbol; secondly, the symbolic relationship between story and symbol; and third, the formal relationship between text and symbol. The trend of symbolization indicates that modern western novels have aesthetic turn in function, mode and discourse. This paper takes the theories of the semiotics masters such as Bakhtin, Pearce, Langge as the theoretical basis, and takes the texts of Kafka, Hemingway, Marquez, Calvino, Salinas, Ross and other modern novelists as objects. This paper discusses the relation form and aesthetic turn of symbolization of western modern novels.
【作者单位】： 南京师范大学外国语学院;三亚学院外国语学院;
【基金】：“江苏高校优势学科建设工程二期项目”的阶段性研究成果【优势学科代码:20140901】
【分类号】：I106.4
本文编号：2374845
[Abstract]:Under the influence of modern philosophical and cultural background such as hermeneutics and receptive aesthetics, modern novels in the 20th century have a marked trend of symbolization. This trend is realized through the relationships between symbols and the elements of the novel. There are three main forms of relationship: first, the intertextual relationship between image and symbol; secondly, the symbolic relationship between story and symbol; and third, the formal relationship between text and symbol. The trend of symbolization indicates that modern western novels have aesthetic turn in function, mode and discourse. This paper takes the theories of the semiotics masters such as Bakhtin, Pearce, Langge as the theoretical basis, and takes the texts of Kafka, Hemingway, Marquez, Calvino, Salinas, Ross and other modern novelists as objects. This paper discusses the relation form and aesthetic turn of symbolization of western modern novels.
【作者单位】： 南京师范大学外国语学院;三亚学院外国语学院;
【基金】：“江苏高校优势学科建设工程二期项目”的阶段性研究成果【优势学科代码:20140901】
【分类号】：I106.4
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