“鲜血的狂欢”:《血色子午线》中的狂欢化特征解读
发布时间：2019-01-05 10:18
【摘要】：美国作家科马克·麦卡锡的代表作《血色子午线》呈现出了鲜明多样的狂欢化因素。奇特的狂欢节装扮和鲜血的意象使得狂欢化的氛围贯穿全书。霍尔顿法官作为小说的灵魂人物,呈现出亦正亦邪的怪诞特征,是狂欢节上肆无忌惮的游戏者,而惊悚野蛮的剥头皮传统与巴赫金理论中的“脱冕”仪式高度契合。本文从狂欢节的整体氛围、怪诞的人物形象、割头皮与脱冤仪式的关联性入手,解读文本中的狂欢化特征,展现在狂观的表象之下所隐藏的忧伤,揭示帝国意识形态背后的暴力与血腥。
[Abstract]:American writer Cormack McCarthy's masterpiece, Meridian of Blood, presents a variety of revelry factors. The strange carnival costume and the image of blood make the carnival atmosphere run through the book. Judge Holden, as the soul character of the novel, presents a strange characteristic of both good and evil. He is the unscrupulous gamer at the carnival, and the horrendous and barbaric tradition of scalp stripping is highly compatible with the ceremony of "discrown" in Bakhtin's theory. Starting with the whole atmosphere of carnival, the grotesque characters, the relevance of scalp cutting and the ceremony of atonement, this paper interprets the carnival characteristics in the text, and reveals the sadness hidden under the appearance of crazy view. Reveal the violence and blood behind the ideology of the Empire.
【作者单位】： 苏州大学外国语学院;
【分类号】：I106.4
本文编号：2401633
[Abstract]:American writer Cormack McCarthy's masterpiece, Meridian of Blood, presents a variety of revelry factors. The strange carnival costume and the image of blood make the carnival atmosphere run through the book. Judge Holden, as the soul character of the novel, presents a strange characteristic of both good and evil. He is the unscrupulous gamer at the carnival, and the horrendous and barbaric tradition of scalp stripping is highly compatible with the ceremony of "discrown" in Bakhtin's theory. Starting with the whole atmosphere of carnival, the grotesque characters, the relevance of scalp cutting and the ceremony of atonement, this paper interprets the carnival characteristics in the text, and reveals the sadness hidden under the appearance of crazy view. Reveal the violence and blood behind the ideology of the Empire.
【作者单位】： 苏州大学外国语学院;
【分类号】：I106.4
【相似文献】
相关硕士学位论文 前10条
1 罗晓梅;论《魔幻玩具铺》中的狂欢化[D];福建师范大学;2015年
2 徐海敏;《中性》的狂欢化特征解读[D];辽宁师范大学;2015年
3 李文宁;狂欢化理论的渊源与发展[D];华中师范大学;2009年
4 熊奕;论《了不起的盖茨比》的狂欢化精神[D];湖南师范大学;2003年
5 马涛;论21世纪知青题材影视作品的“狂欢化”[D];广东技术师范学院;2012年
6 麻雪冬;解析《巴塞罗缪市场》中的狂欢化特征[D];河北师范大学;2012年
7 王莉;来自民间广场的狂欢化美学[D];辽宁师范大学;2002年
8 秦艺m";论安吉拉·卡特《明智的孩子》中的狂欢化特征[D];南京师范大学;2013年
9 胡凤娟;《狐狸》的狂欢化特点[D];河北师范大学;2013年
10 刘亚平;论网络文学的“狂欢化”特色[D];吉林大学;2006年
，本文编号：2401633
本文链接：https://www.wllwen.com/xiandaiwenxuelunwen/2401633.html
