后殖民语境下奈保尔的“印度三部曲”研究

发布时间：2019-02-14 19:30

【摘要】：V.S.奈保尔是英国著名作家,祖籍印度,出生于特立尼达,后靠政府奖学金到牛津大学深造。在英国,印裔的血统、面貌和移民经历使不屑于与底层民众为伍的他,也根本无法接触到英国的上层社会。经过了迷茫、痛苦、纠结的挣扎与思考,终于,他直面苦难,扒开内心深处最隐秘的苦楚---那些他的祖辈父辈从不愿提及的事情,踏上寻根的文化之旅。“印度三部曲”(《幽暗国度》、《印度:受伤的文明》和《百万叛变的今天》)是奈保尔1962年、1975年、1988年三次游历印度,根据自己的见闻写成的三部游记,以印度国家、民族的振兴和印度传统文化的发现、挖掘与重塑为主要内容,是奈保尔为本民族发声,维护第三世界利益的后殖民主义创作的重要代表。奈保尔与他的故乡印度之间,经历了从排斥到冲突再到认同的过程。“印度三部曲”是作家与印度之间心路历程的真实写照,也是让读者深层次认识印度的创作。本文运用后殖民主义理论对“印度三部曲”进行解读与分析,发现后殖民语境下“印度三部曲”的思想价值、社会价值和文学价值,揭示作为后殖民主义作家的奈保尔在殖民主义和后殖民主义影响下的生存经历与精神成长,发掘奈保尔的创作中对民族振兴的关注,对挖掘与保护印度传统文化价值的热情,阐释奈保尔作为后殖民作家的创作心态,分析其作品的离散性主题。论文分为五个部分,绪论部分主要介绍后殖民主义理论、奈保尔的“印度三部曲”以及国内外关于奈保尔创作研究的现状。第一章以《幽暗国度》为研究对象,分析奈保尔对印度严苛的种姓阶级制度下人们的绝对分工,传统习俗下人们的保守封闭的日常生活状况、生活态度和价值观念以及印度人对贫穷的自豪态度的批判与反思。第二章主要以《印度:受伤的文明》为例,分析其中白薄而对印度民族个性的沉默和印度传统文化的盲目跟风的理性批判与冷静的思考。第三章主要分析奈保尔第三次重返家园时所发现和感受的印度在宗教信仰、科技和妇女文化地位等方面发生的翻天覆地的变化和巨大的进步。第四章主要分析奈保尔文化立场的转变和强烈的家园意识。
[Abstract]:V.S. Naipaul, a famous British writer, was born in Trinidad and went to Oxford on a government scholarship. In Britain, his Indian ancestry, appearance and immigration made him disdainful of being associated with the underclass, and he had no access to Britain's upper classes. After struggling and pondering over confusion, pain, and entanglement, he finally faced suffering, uncovering the most hidden suffering in his heart-something his grandparents never wanted to talk about, and embarked on a cultural journey to its roots. The Indian Trilogy (Dark country, India: wounded Civilization and millions of rebellious Today) is Naipaul's three trips to India in 1962, 1975, and 1988. The rejuvenation of the nation and the discovery of Indian traditional culture, excavating and reshaping are the important representatives of Naipaul's post-colonial creation, which speak for the people and safeguard the interests of the third world. Naipaul and his native India experienced a process from exclusion to conflict to identity. The Indian trilogy is a true portrayal of the process between the writer and India, and also a deep understanding of the creation of India. Based on the theory of post-colonialism, this paper interprets and analyzes Indian trilogy, and finds out the ideological value, social value and literary value of Indian trilogy in the post-colonial context. This paper reveals Naipaul's living experience and spiritual growth under the influence of colonialism and post-colonialism, explores his concern for national rejuvenation and his enthusiasm for excavating and protecting the values of traditional Indian culture. Explains Naipaul's creation mentality as a post-colonial writer and analyzes the discrete theme of his works. The paper is divided into five parts. The introduction mainly introduces postcolonial theory, Naipaul's Indian trilogy and the present situation of Naipaul's creative research at home and abroad. The first chapter takes the dark country as the research object, analyzes the absolute division of labor of the people under the strict caste class system in India, and the conservative and closed daily living conditions of the people under the traditional customs. Life attitudes and values, as well as India's proud attitude towards poverty criticism and reflection. The second chapter mainly takes India: wounded Civilization as an example to analyze the white and thin silence of Indian national personality and the rational criticism and calm thinking of Indian traditional culture blindly following the trend. The third chapter mainly analyzes the earth-shaking changes and great progress in religious belief, science and technology and women's cultural status that Naipaul found and felt when he returned home for the third time. The fourth chapter mainly analyzes the transformation of Naipaul's cultural position and strong sense of home.
【学位授予单位】：伊犁师范学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I561.074

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