断裂与反讽——格里克神话诗歌的游牧路线
发布时间：2019-06-21 19:54
【摘要】：美国当代重要诗人L.格里克以仪式思维和游牧路线对古典神话实施了再语境化的重构。本文从词源学和叙事学视角、以德勒兹的意义的逻辑及其游牧理论为依据诠释格里克的神话诗歌,在其仪式思维中,探究语义断裂和反讽叙事与诗歌的游牧主体性生成的关联及其间的伦理和生存论意义。格里克对古典神话的重构赋予其元话语的特征,使处于冲突力场的神话人物成为德勒兹意下的游牧主体,其主体性生成于脱离线性时间和因果逻辑而进入循环运动和重复模拟的去本原的过程。通过将神话人物嵌入生死绝境并使其逐渐出离历史与政治的范畴化结构,格里克为晚期资本主义文化中的精神分裂者提供了既承认宿命又不舍浪漫的游牧生存路线。
[Abstract]:The important contemporary American poet L. Gerrick reconstructed classical mythology with ritual thinking and nomadic route. From the perspective of etymology and narratology, this paper interprets Gerrick's mythological poetry on the basis of the logic of Deleuz's meaning and his nomadic theory. In his ritual thinking, this paper explores the relationship between semantic fracture and ironic narration and the formation of nomadic subjectivity of poetry, as well as its ethical and existential significance. Gerrick's reconstruction of classical mythology gives him the characteristics of meta-discourse, so that the mythological characters in the conflict force field become the nomadic subject under the meaning of Deleuz, and their subjectivity is formed in the process of moving into cyclic motion and repeated simulation without linear time and causality logic. By embedding mythological characters in the desperate situation of life and death and gradually leaving the categorization structure of history and politics, Gerrick provided a nomadic survival route that not only acknowledged fate but also did not give up romance for the schizophrenia in the late capitalist culture.
【作者单位】： 大连理工大学外国语学院;
【基金】：国家社会科学基金年度项目“美国当代诗歌的差异性审美模式研究”(项目编号:16BWW059)的阶段性成果
【分类号】：I712.072
本文编号：2504310
[Abstract]:The important contemporary American poet L. Gerrick reconstructed classical mythology with ritual thinking and nomadic route. From the perspective of etymology and narratology, this paper interprets Gerrick's mythological poetry on the basis of the logic of Deleuz's meaning and his nomadic theory. In his ritual thinking, this paper explores the relationship between semantic fracture and ironic narration and the formation of nomadic subjectivity of poetry, as well as its ethical and existential significance. Gerrick's reconstruction of classical mythology gives him the characteristics of meta-discourse, so that the mythological characters in the conflict force field become the nomadic subject under the meaning of Deleuz, and their subjectivity is formed in the process of moving into cyclic motion and repeated simulation without linear time and causality logic. By embedding mythological characters in the desperate situation of life and death and gradually leaving the categorization structure of history and politics, Gerrick provided a nomadic survival route that not only acknowledged fate but also did not give up romance for the schizophrenia in the late capitalist culture.
【作者单位】： 大连理工大学外国语学院;
【基金】：国家社会科学基金年度项目“美国当代诗歌的差异性审美模式研究”(项目编号:16BWW059)的阶段性成果
【分类号】：I712.072
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，本文编号：2504310
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