贝克特戏剧文本中隐喻的认知研究

发布时间：2021-05-19 12:34

　　在过去的几十年里,贝克特戏剧的研究非常广泛。研究视角从政治、到哲学、美学、结构主义、后现代主义、后殖民主义、女性主义以及读者接受理论等等。但是,很少有人对贝克特戏剧中的隐喻进行研究。为此,本论文从认知的视角对贝克特戏剧中的隐喻进行了研究。本论文的意图有二:第一,阐述与隐喻理论有关的问题。本论文人为,文本意义,包括戏剧文本意义,是可以通过隐喻产生的。传统的观点认为隐喻是一种修辞,其意义就是表达的意义并非原语所指意义或原语的字面意义。换句话说,这是言语组成中的一种“错配”或“偏离”。结果是对隐喻的理解就是要对言语进行错位或者语义异常化;而言语错位和语义异常与认知紧密相关,属于认知语言学的研究范畴。在贝克特戏剧中,言语错位和语义异常是相当普遍的,所以,贝克特戏剧中的隐喻的研究方法也要从言语层面转向认知层面,任何言语都根植于具有隐喻的概念之中。本论文的第二个意图就是运用情感、时间和空间、意象图式等与认知有关的理论研究贝克特的戏剧文本中的隐喻。本论文认为,贝克特的戏剧不遵循传统法则,形式、主题和方法上都具有独创性,其戏剧创作手法多种多样,包括幽默、诙谐、戏拟、反讽、讥讽和隐喻等等,最重要的特征是... 

【文章来源】：上海交通大学上海市 211工程院校 985工程院校 教育部直属院校

【文章页数】：201 页

【学位级别】：博士

【文章目录】：
Acknowledgements
Abstract
内容提要
Chapter One Introduction
    1.1 Objectives of this research
    1.2 Significance of study
    1.3 Methods of study
    1.4 The structure of this dissertation
Chapter Two Literature Review
     2.1 Introduction
    2.2 Traditional studies on metaphor
        2.2.1 Metaphor in fiction and poetry
        2.2.2 Metaphor in drama
        2.2.3 Dramatic text and performance
    2.3 Contemporary studies on metaphor
        2.3.1 Semantic theory of metaphor
        2.3.2 Pragmatic theory of metaphor
        2.3.3 Cognitive theory of metaphor
        2.3.4 Conceptual metaphor
        2.3.5 Conventional and novel metaphors
    2.4 Metaphor studies of Beckett’s plays
        2.4.1 Overview of criticism of Samuel Beckett’s plays
        2.4.2 Overview of metaphor studies on Beckett’s plays
     2.5 Summary and research questions
Chapter Three Emotion Metaphors in Waiting for Godot and Krapp’s Last Tape
    3.1 Introduction
    3.2 Emotion metaphors
    3.3 Emotion metaphors in Waiting for Godot
     3.4 Emotion metaphors in Krapp’s Last Tape
    3.5 Summary
Chapter Four Time as Space Metaphors in Happy Days and Endgame
    4.1 Introduction
     4.2 Conceptions of time and space
        4.2.1 Keshavmurti on time and space
        4.2.2 Alverson on time and space
        4.2.3 Lakoff on space and time
        4.2.4 Lakoff and Johnson on everyday metaphor
    4.3 Time as space metaphors in Happy Days and Endgame
    4.4 “Time” and “oblivion” in Waiting for Godot
    4.5 Summary
Chapter Five Image-Schema Metaphors in Endgame
    5.1 Introduction
     5.2 Interpretations of image-schemata
        5.2.1 Interpretation on images
        5.2.2 Interpretation on schemata
        5.2.3 Image-schema
    5.3 Schema theory and metonymy
    5.4 A game of chess: metonymic manifestation of the part-whole image-schema
    5.5 A room: metonymic manifestation of centre-periphery image-schema
    5.6 A journey: metonymic manifestation of the source-path-goal image-schema
    5.7 Summary
Chapter Six Non-verbal metaphors in Beckett’s Dramaticules
    6.1 Introduction
    6.2 Musical metaphors in Beckett’s Ghost Trio
        6.2.1 Musical meaning and metaphor
        6.2.2 Musical Event Structure Metaphors in Ghost Trio
            6.2.2.1 Dynamic qualities of music in Ghost Trio
            6.2.2.2 Intensity of musical experience in Ghost Trio
     6.3 Visual metaphors in Beckett’s dramaticules
        6.3.1 Visual metaphors and verbal metaphors
        6.3.2 A fragmented mouth identity: visual metaphor in Not I
        6.3.3 Esse est percipi: visual metaphor in Film
        6.3.4 Counterpoint and iconography: visual metaphor in Beckett’s Play
    6.4 Summary
Chapter Seven Findings and Conclusions
    7.1 Findings of this dissertation
    7.2 Conclusions
    7.3 Some issues worthy of future study
Bibliography
攻读博士学位期间科研成果


【参考文献】：
期刊论文
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[2]试论现代隐喻学的研究目标、方法和任务[J]. 束定芳.  外国语(上海外国语大学学报). 1996(02)
[3]戏剧文体与戏剧文体学[J]. 俞东明.  浙江大学学报(社会科学版). 1996(01)
[4]话语分析与戏剧语言文体学[J]. 杨雪燕.  外语教学与研究. 1991(02)



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