十九世纪法国文学中的妓女形象研究

发布时间：2018-02-04 10:10

本文关键词： 妓女形象人道主义男性创作文化身份　出处：《河南大学》2013年硕士论文　论文类型：学位论文

【摘要】：妓女形象作为文学形象塑造中的一类群体，因其特殊的社会地位和女性身份而在中外文学史中占据重要地位，她们不仅受到作家的青睐，相关文学作品也往往得到研究者的多重关注。19世纪的法国文学中汇集了众多风格各异的妓女形象，本文拟对她们作群体性关照，通过对这一群体的研究，探求隐藏在形象背后的19世纪法国妇女生存状况、社会文化特征以及文艺思想变迁。全文分引言、正文、结语三个部分：引言部分首先追溯了中外妓女形象的历史渊源并提出了本选题的意义，其次简要介绍了国内外研究现状：大多集中于单个人物形象的多角度分析，而很少有学者把她们作为一个群体进行研究。正文共三章。第一章根据十九世纪法国文学中妓女形象所呈现的不同特征进行分类论述。她们在作家笔下呈现出各式形态，不仅继承了西方文学史中女性形象的传统描绘，而且由于其职业、身份的特殊性，扩展了文学创作中的女性形象塑造类别，为作家言说提供了更广阔的社会题材。第二章从思想特征入手，分析妓女形象所体现的人道主义精神和文艺思想。通过对具体文本的分析，，一方面说明了作家的人道主义精神与十九世纪的社会政治状况结合，主要表现为对黑暗社会的控诉、对美好道德品质的礼赞、对独立人格尊严的追寻以及对社会改造的希冀；另一方面联系各个作家的创作观，论述其主要文艺思想在其塑造的妓女形象身上的具体表现。第三章从性别文化角度分析男性作家创作的性别特征体现和妓女形象的女性文化身份。对妓女“天使化”或“妖魔化”的书写，揭示了男性作家往往站在脱离女性角度的“他者”位置进行言说，而很难体验妓女的真实心声。在男权文化中，这些妓女处于想做“他者”而不得的尴尬境地，自尊自爱的女性意识逐渐觉醒，她们开始对自身文化身份提出质疑和反叛。结语部分系统概括了前文观点，同时提出男女两性的平等绝不是一朝一夕可以达到的，即使在当代社会，女性主义者仍担负着追求两性平等和谐的历史重任。
[Abstract]:As a kind of group in the shaping of literary image, the image of prostitute occupies an important position in the history of Chinese and foreign literature because of its special social status and female identity, and they are not only favored by writers. The related literary works are also often paid more attention to by the researchers. In the 19th century, the French literature collected many different images of prostitutes, this paper intends to do group care for them, through the study of this group. This paper explores the living conditions, social and cultural characteristics and changes of literary and artistic thoughts of French women in 19th century hidden behind their images. The full text is divided into three parts: introduction, text and conclusion: The introduction first traces the historical origin of the image of prostitutes at home and abroad and puts forward the significance of this topic. Secondly, it briefly introduces the current situation of domestic and foreign research: most of them focus on the multi-angle analysis of the image of a single character. Few scholars study them as a group. The first chapter is based on the different characteristics of the images of prostitutes in French literature in 19th century. They present various forms in the works of writers. It not only inherits the traditional depiction of female image in the history of western literature, but also expands the category of female image shaping in literary creation because of the particularity of its occupation and identity. The second chapter analyzes the humanitarian spirit and literary thought embodied in the image of the prostitute through the analysis of the specific text. On the one hand, it explains the combination of the writer's humanism spirit and the social and political situation in 19th century, mainly for the accusation of the dark society and the praise for the good moral quality. The pursuit of independent human dignity and the hope of social transformation; On the other hand, it relates to the creation view of various writers. The third chapter analyzes the gender characteristics of male writers' creation and the female cultural identity of prostitutes' image from the angle of gender culture. The writing of "angelization" or "demonization". It is revealed that male writers often speak in the position of "other" from the angle of women, but it is difficult to experience the true aspirations of prostitutes. In the culture of male domination, these prostitutes are in an awkward position of wanting to be "other". Self-esteem and self-love of the female consciousness gradually awakened, they began to question their own cultural identity and rebellion. At the same time, the conclusion points out that equality between men and women can not be achieved overnight. Even in contemporary society, feminists still shoulder the historical responsibility of pursuing gender equality and harmony.
【学位授予单位】：河南大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：I565.06

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