穿行于文本与影像间的罗伯—格里耶的叙事艺术

发布时间：2018-02-08 17:42

本文关键词： 写物风格空间化影像叙事精神图像　出处：《黑龙江大学》2013年硕士论文　论文类型：学位论文

【摘要】：阿兰罗伯-格里耶是法国新小说流派的创始人、理论家和代表作家，同时也是法国新电影的代表人物，，著名的“左岸派”代表、电影大师。格里耶发表的论章《未来小说之路》和《自然本性、人本主义、悲剧》被评论界作为新小说派的理论宣言。在文章中罗伯-格里耶论述了建立新的小说体系的重要性，放弃传统的现实主义小说形式，进行新的写作尝试。他在电影小说领域的实践和其所导演的电影作品也都体现了他的创新和大胆的尝试，在电影小说中用影像构思故事，在电影中又印证其小说的美学阐释，自由的穿行在文本与影像之间，使他在小说与电影界都获得了至高的地位，而他新颖独特的叙事艺术仍然在这两个领域发挥着深远的影响。
[Abstract]:Alain Roberto Greyer is the founder, theoretician and representative writer of the new French novel school, and also the representative figure of the new French film, the famous "left Bank" representative. "the Road to Future novels" and "Nature, Humanism," by film master Greyer, Tragedy is regarded as the theoretical manifesto of the New Fiction School by the critics. In the article, Roberto Greyer discusses the importance of establishing a new novel system and gives up the traditional realistic novel form. His practice in the field of film fiction and the film works he directed also reflected his innovation and bold attempt to construct stories with images in film novels, and to confirm the aesthetic interpretation of his novels in movies. The free movement between the text and the image makes him gain the highest position in the field of novel and film, and his novel and unique narrative art still plays a profound influence in these two fields.
【学位授予单位】：黑龙江大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：I565.074

【共引文献】