《簧风琴》中的声音与感知

发布时间：2018-05-04 15:44

本文选题：华莱士·史蒂文斯 + 《簧风琴》　；参考：《湖南大学》2013年硕士论文

【摘要】：美国现代派诗人华莱士·史蒂文斯（WallaceStevens,1879－1955）毕生都在探索语言、诗歌对世界以及现代人们生活的意义。在他的第一本诗集《簧风琴》中，诗人运用诗歌语言中的声音以及其特有的韵律特点带给读者以不同的感知，引导人们去思考生活。本文以史蒂文斯的诗学理论为基础，从史蒂文斯诗歌中声音的角度出发，从三个方面探究史蒂文斯诗歌中声音的作用。首先，本文指出史蒂文斯诗歌中运用了大量的声音意象，包括自然声音意象与人类声音意象，由此说明了诗歌中的声音不仅只是韵律元素或者是意义有限的修辞手法，而且是独特诗学不可分割的一部分。其次，探析了声律模式在该诗集中的运用。即从谐音类音、词与词组的重复以及诗歌主题的音乐性变化这三个角度阐释诗人是如何运用声音韵律来创作诗歌的。最后，阐述了作为感知的声音在诗歌与读者中间所起到的桥梁作用，与此同时，能够向读者传达诗人的观点。这一部分一方面从声音以及旋律自身的变化与运动造成一种动觉来说明语言本身能够引起读者的共鸣，产生现实意义。而动觉就是读者在阅读诗歌的同时也随着诗歌声音与其旋律的动静、急缓，产生如临其境之感。另一方面从诗歌声音与绘画色彩的角度，阐释声音与色彩同样都能反映人的意识，说明了诗歌与绘画的共通性。总之，本文是从一个比较新颖的角度来研究史蒂文斯的诗歌。通过对史蒂文斯诗集《簧风琴》中诗歌声音的研究，本文既探究了史蒂文斯诗歌声音的独特作用：声音作为诗歌的主要素材，来表现诗人的诗学理论；又详尽阐述了声音表达诗学理论的过程，即声音作为一种感知，，能够引起读者的共鸣。
[Abstract]:Wallace Stevens, an American modernist poet, spent his life exploring the meaning of language and poetry to the world and modern people's lives. In his first book of poetry, the Reed organ, the poet uses the sound of poetic language and its unique rhythmic characteristics to give readers different perceptions and guide people to think about life. Based on Stevens' poetic theory, this paper explores the role of sound in Stevens' poetry from three aspects. First of all, this paper points out that Stevens' poetry uses a large number of sound images, including natural sound images and human sound images, which shows that sound in poetry is not only a rhythmic element or a limited rhetorical device. And it is an integral part of unique poetics. Secondly, the author explores the application of vocal pattern in the collection of poems. That is, from the three angles of homophonic sounds, repetition of words and phrases, and musical changes of poetic themes, it explains how poets use sound rhythm to create poetry. Finally, the paper expounds the bridge between the poetry and the reader by the perceptual sound, and at the same time, it can convey the poet's point of view to the reader. On the one hand, from the changes and movements of sound and melody itself, a kinesthesia is created to show that language itself can resonate with the reader and produce practical significance. While reading poetry, kinesthetic sensation is a kind of feeling that readers feel as if they are in a situation with the sound of poetry and the movement of its melody at the same time. On the other hand, from the angle of poetic sound and painting color, it explains that both sound and color can reflect human consciousness, and explain the commonality of poetry and painting. In a word, this paper studies Stevens' poems from a relatively new angle. Based on the study of the poetic sound in Stevens' Book of Poems spring organ, this paper not only explores the unique role of Stevens' poetic sound: sound as the main material of poetry, to express the poet's poetic theory; It also elaborates the process of the theory of sound expression poetics, that is, sound, as a kind of perception, can resonate with readers.
【学位授予单位】：湖南大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：I712.072

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