陈舜臣文学作品中的中国形象研究

发布时间：2018-10-10 20:28

【摘要】：陈舜臣是当代日本文学史上一位具有特殊意义的作家,这突出表现在作为华裔日本人,他创作了大量优秀的中国题材的文学作品,这些作品更是涵盖小说、随笔、散文等各种类型。作为一名少时便接受中国古典文化熏陶、对中国历史与文化有着浓烈兴趣的作家,陈舜臣在他的众多作品中制作了许多不同的中国形象。通过对他各类中国形象的典型类型的总结,分析他在日本社会集体想象与个人身份的双重影响下制作不同中国形象的过程,揭示出形象制作者主体的欲望才是异国形象被制作的根本动因。被制作为异国形象的中国,实际是日本对自身审视与反思的表现,中国形象的制作表达了日本的某种欲望与恐怖。论文以比较文学形象学理论为支撑,对陈舜臣笔下的中国形象展开分析。论文主体分三个部分:第一部分对陈舜臣作品中的中国形象的典型类型进行总结,将陈舜臣在作品中制作的具有代表性的大气的唐代、偏离社会集体想象的战时中国形象、反思的战后中国形象作为表述与分析的主要对象。第二部分着重探讨陈舜臣制作中国形象的成因以及由此表现出的自我欲望的投射。制作中国形象实际上是日本在进行自我审视、自我反思、自我想象与书写,是在表达日本潜意识里的欲望与恐怖。陈舜臣在社会集体想象和个人情感、文化素养、道德良知等自身因素的双重影响下,制作了既在社会集体想象范围中又或有超越与背离的中国形象。第三部分梳理日本的中国形象的谱系,在分析日本制作的中国形象的变迁史的过程中,对比陈舜臣的中国形象制作的特点。陈舜臣的双重文化背景给他的中国形象制作带来了特别的影响,这也使得他制作的各个时期的中国形象有别于他人与时代成为可能,并在普世意义上具有指导作用。通过中国形象的类型总结、成因探求和自我反思三个主要过程对陈舜臣在跨文化背景下制作的中国形象进行深入研究,尝试揭示陈舜臣作为日本创作主体在书写中国的过程中所反映出来的心理动机、欲望投射和文化诉求。在总结陈舜臣跨文化中国形象的制作过程中,反思中国形象参与构筑日本现代性经验的过程与方式,进而在中日文化的双向互动中寻求异质文化间交汇和平衡的方法。
[Abstract]:Chen Shun-Chen is a writer of special significance in the history of contemporary Japanese literature. Prose, etc. As a writer who was influenced by Chinese classical culture and interested in Chinese history and culture, Chen Shun-Chen produced many different images of China in his numerous works. By summing up the typical types of his various Chinese images, this paper analyzes his process of making different Chinese images under the dual influence of collective imagination and personal identity in Japanese society. It is revealed that the desire of the main body of the image maker is the fundamental reason for the foreign image to be made. China, which is made as a foreign image, is actually the expression of Japan's self-examination and introspection. The production of Chinese image expresses some kind of desire and terror of Japan. Based on the theory of comparative literature image, this paper analyzes Chen Shun-Chen 's Chinese image. The main body of the thesis is divided into three parts: the first part summarizes the typical types of Chinese image in Chen Shun-Chen 's works, and deviates from the social collective imagination of wartime Chinese image in the representative atmosphere of Tang Dynasty produced by Chen Shun-Chen in his works. Rethinking the image of postwar China as the main object of expression and analysis. The second part focuses on the causes of Chen Shun-Chen 's creation of Chinese image and the projection of his own desire. To create a Chinese image is actually a process of self-examination, self-reflection, self-imagination and writing in Japan, and an expression of the desire and terror in Japan's subconscious mind. Under the double influence of social collective imagination and individual emotion, cultural accomplishment, moral conscience and so on, Chen Shun-Chen created a Chinese image which is not only within the scope of social collective imagination, but also transcends and deviates from it. The third part combs the pedigree of Japanese Chinese image, and compares the characteristics of Chen Shun-Chen 's Chinese image making in the process of analyzing the changing history of Japanese Chinese image. Chen Shun-Chen 's double cultural background has brought special influence to his Chinese image making, which makes it possible for him to make the Chinese image of each period different from others and the times, and has a guiding role in the universal sense. By summing up the types of Chinese images, exploring the causes and introspecting themselves, the author makes a deep research on the Chinese images produced by Chen Shun-Chen under the cross-cultural background. This paper attempts to reveal the psychological motivation, desire projection and cultural appeal reflected by Chen Shun-Chen as the Japanese creative subject in the process of writing China. In the process of making Chen Shun-Chen 's cross-cultural Chinese image, the author reflects on the process and mode of Chinese image participating in the construction of Japanese modernity experience, and then seeks the method of intersecting and balancing the heterogeneous cultures in the two-way interaction between Chinese and Japanese cultures.
【学位授予单位】：集美大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：I313.06

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