看不见的学园

发布时间：2018-04-18 01:18

本文选题：空间结构 + 多主题　；参考：《新美术》2013年09期

【摘要】：正当马克波罗描述他作为记忆探访者所经过的城市时,忽必烈汗未必全都相信,但是有一点可以肯定,那就是这位鞑靼君王听我们这位威尼斯青年的讲述,要比任何信使和考察者梳理的报告都更专心,更具好奇心。而这次的"八五·85"展,如果作为一份重新梳理20世纪当代中国艺术史的报告,你也未必全信,可是有一点同样可以肯定,这次的讲述要比任何一本已载入叙事宏流的当代艺术史书来的更具可能性,也更让人好奇。如果把整个展览看作为一件作品,那最受限定的是什么?我觉得是空间。可能一个展览在最终成型之前冒出过成千上万的主题、次主题、多主题。可在定下展出场地的刹那,展览的空间结构就已经冥冥中被敲定了,剩下的就是匹配,最恰当的主题与最恰当的展出方式去匹配早已有之的空间结构。对一个空间构想能力弱的人来讲,不得不说,进入展厅的瞬间好像就已跌入万丈以下的迷宫深渊。依稀能够辨别的是中间的大厅呈现展览主题"将可能性还给历史,献给中国美术学院八十五周年"。左
[Abstract]:When Marco Polo described the city through which he had passed as a memory visitor, Kublai Khan did not always believe it, but one thing was certain: the king of Tartar listened to the story of our young Venetian man.Be more attentive and curious than any messenger or observer combing the report.And if this exhibition, "85-85", is a reorganized report on the history of contemporary Chinese art in the 20th century, you may not fully believe it, but one thing is equally certain.This story is more likely and more curious than any of the history books of contemporary art that have been included in the narrative.If the entire exhibition is regarded as a piece of work, what is the most qualified?I think it's space.There may be thousands of themes, subthemes, and multiple themes emerging from an exhibition before it is finally formed.But in the moment of setting the space for the exhibition, the spatial structure of the exhibition has been decided, and what remains is a match, the most appropriate theme and the most appropriate way to match the already existing spatial structure.To a man with a weak spatial conception, one has to say that the moment he enters the exhibition hall, he seems to have fallen into a maze below ten thousand feet.Vaguely, the middle hall presents the theme of "giving possibility back to History, dedicated to the 85 Anniversary of the Chinese Academy of Fine Arts."Left
【分类号】：J209.2

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