艺术画廊的照明研究与实践
发布时间：2019-06-12 03:10
【摘要】： 在经济繁荣,政治稳定的大背景下,画廊产业迅速崛起。作为展览和销售美术作品的场所,其灯光应当兼具艺术展示和商业吸引的双重作用,一些私人画廊兼做创作场所,灯光又肩负了适于创作的责任。目前国内外对展示性灯光的研究主要集中在博物馆照明和美术馆照明,中国建筑照明设计标准(GB50034-2004)中也制定了相关规范,并在实践上取得了宝贵的经验,但对于艺术画廊照明这一融合创作、展示、商业的领域一直缺少关注,本文的研究充分借鉴既有的博物馆美术馆照明研究模式,基于画家的创作需求和绘画作品本身的展示需要,运用专业的照明理论,为艺术画廊照明提供可实施的照明依据。 文章首先分析了同样作为展示照明,画廊照明和博物馆及美术馆照明的不同之处,揭示对其进行单独立项研究的必要性和重要性。之后,针对展示照明中最为重要的颜色特性做研究并对现有人工光源的照明效果进行比较分析,得出适用于画廊照明的光源类型。 在这样的理论基础上,作者走访几位国内外知名的画家,调研其画廊工作室的照明现状,主要在颜色特性方面得出其工作室现状照明的优点和不足,与之沟通了解艺术创作人士对光环境的需求,针对画家的不满之处提供解决办法：设计了一款可调节照度及色温的灯具,使其可以满足不同画家对创作光环境的要求。并于画廊工作室中进行实践性实验,验证这个办法的合理性。 第四章对画廊展示照明进行了深入的分析研究,包含天然光、人工光、混合光在画廊的使用,考虑不同画作种类和风格,从展品照明到展示空间照明及其他过渡性功能空间照明,得出画廊照明的合理设计方式和指标。之后对某个人画廊进行实践性的照明设计,经历与艺术家沟通,建立照明模型,进行各项光分布参数的软件模拟计算和现场实验,选择合适的灯具和灯具布置方式。灯具安装完成后得到画廊主人的认可。 最后从理论和实践两方面,对画廊照明做了总结和展望。为画家,画廊所有者和照明设计者提供一套可供参考的画廊照明体系,以达到为艺术创作和艺术展示提供良好舒适光环境的目的。
[Abstract]:Under the background of economic prosperity and political stability, the gallery industry is rising rapidly. As a place for exhibition and sale of art works, its lighting should play a dual role in both artistic display and commercial attraction. Some private galleries act as creative places, and lighting shoulders the responsibility suitable for creation. At present, the research on exhibition lighting at home and abroad is mainly focused on museum lighting and art gallery lighting. The Chinese Architectural Lighting Design Standard (GB50034-2004) has also formulated relevant specifications, and gained valuable experience in practice. However, there has been a lack of attention to the fusion creation, display and commercial field of art gallery lighting. The research in this paper fully draws lessons from the existing research mode of museum and art gallery lighting. Based on the creative needs of painters and the display needs of painting works themselves, the professional lighting theory is used to provide feasible lighting basis for art gallery lighting. This paper first analyzes the differences between exhibition lighting, gallery lighting and museum lighting, and reveals the necessity and importance of separate project research. After that, the most important color characteristics of display lighting are studied and the lighting effects of existing artificial light sources are compared and analyzed, and the types of light sources suitable for gallery lighting are obtained. On the basis of this theory, the author visits several famous painters at home and abroad, investigates the lighting status of his gallery studio, mainly obtains the advantages and disadvantages of the current lighting of his studio in terms of color characteristics, communicates with it to understand the needs of artistic creators for the light environment, and provides solutions to the painters' dissatisfaction: a lamp that can adjust the illuminance and color temperature is designed. So that it can meet the requirements of different painters for the creation of light environment. Practical experiments are carried out in gallery studio to verify the rationality of this method. In the fourth chapter, the gallery display lighting is deeply analyzed and studied, including the use of natural light, artificial light and mixed light in the gallery, considering different painting types and styles, from exhibition lighting to display space lighting and other transitional function space lighting, and the reasonable design mode and index of gallery lighting are obtained. Then the practical lighting design of an individual gallery is carried out, the communication with the artist is experienced, the lighting model is established, the software simulation calculation and field experiment of each light distribution parameter are carried out, and the appropriate lamps and lanterns arrangement are selected. After the installation of lamps and lanterns is completed, it is approved by the owner of the gallery. Finally, from the theoretical and practical aspects, the gallery lighting is summarized and prospected. Provide a set of gallery lighting system for painters, gallery owners and lighting designers for reference, in order to provide a good and comfortable light environment for artistic creation and art display.
【学位授予单位】：复旦大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：TU113.662
本文编号：2497682
[Abstract]:Under the background of economic prosperity and political stability, the gallery industry is rising rapidly. As a place for exhibition and sale of art works, its lighting should play a dual role in both artistic display and commercial attraction. Some private galleries act as creative places, and lighting shoulders the responsibility suitable for creation. At present, the research on exhibition lighting at home and abroad is mainly focused on museum lighting and art gallery lighting. The Chinese Architectural Lighting Design Standard (GB50034-2004) has also formulated relevant specifications, and gained valuable experience in practice. However, there has been a lack of attention to the fusion creation, display and commercial field of art gallery lighting. The research in this paper fully draws lessons from the existing research mode of museum and art gallery lighting. Based on the creative needs of painters and the display needs of painting works themselves, the professional lighting theory is used to provide feasible lighting basis for art gallery lighting. This paper first analyzes the differences between exhibition lighting, gallery lighting and museum lighting, and reveals the necessity and importance of separate project research. After that, the most important color characteristics of display lighting are studied and the lighting effects of existing artificial light sources are compared and analyzed, and the types of light sources suitable for gallery lighting are obtained. On the basis of this theory, the author visits several famous painters at home and abroad, investigates the lighting status of his gallery studio, mainly obtains the advantages and disadvantages of the current lighting of his studio in terms of color characteristics, communicates with it to understand the needs of artistic creators for the light environment, and provides solutions to the painters' dissatisfaction: a lamp that can adjust the illuminance and color temperature is designed. So that it can meet the requirements of different painters for the creation of light environment. Practical experiments are carried out in gallery studio to verify the rationality of this method. In the fourth chapter, the gallery display lighting is deeply analyzed and studied, including the use of natural light, artificial light and mixed light in the gallery, considering different painting types and styles, from exhibition lighting to display space lighting and other transitional function space lighting, and the reasonable design mode and index of gallery lighting are obtained. Then the practical lighting design of an individual gallery is carried out, the communication with the artist is experienced, the lighting model is established, the software simulation calculation and field experiment of each light distribution parameter are carried out, and the appropriate lamps and lanterns arrangement are selected. After the installation of lamps and lanterns is completed, it is approved by the owner of the gallery. Finally, from the theoretical and practical aspects, the gallery lighting is summarized and prospected. Provide a set of gallery lighting system for painters, gallery owners and lighting designers for reference, in order to provide a good and comfortable light environment for artistic creation and art display.
【学位授予单位】：复旦大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：TU113.662
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