论瓷胎漆器的艺术新视点

发布时间：2018-01-12 13:23

本文关键词：论瓷胎漆器的艺术新视点　出处：《福建师范大学》2014年硕士论文　论文类型：学位论文

【摘要】：本文对瓷胎漆器的发展进行了梳理。中国有传统三大艺术媒材大漆、瓷与水墨,其中漆与瓷在历史的发展道路上产生了材料语言上的碰撞和结合,两者在这过程中又有主次更替的变化。在漆与瓷结合的历史进程中有不少优秀的作品流传下来成为现代瓷胎漆器研究的良好素材,成为时代的见证。此外,漆与瓷之间材料形式的转换,使得瓷胎漆器的材料界定变得暧昧朦胧,其结果是：瓷胎漆器在瓷器范畴内被界定为瓷器,而在漆器范畴内又被界定为漆器,但作品本身的艺术审美才是欣赏者关注的焦点。由此可见,跨媒材的艺术将是未来的发展方向,艺术门类下各个种类之间的界线亦将变得模糊不清,在这股艺术浪潮里,瓷与漆材料结合的产物瓷胎漆器创造了一种全新的漆器面貌,成为一种新的艺术表达形式。
[Abstract]:In this paper, the development of porcelain tire lacquer ware has been combed. There are three traditional art medium lacquer, porcelain and ink, in which lacquer and porcelain have collided and combined in material language on the way of historical development. In the historical process of the combination of lacquer and porcelain, many excellent works have been handed down to become good materials for the research of modern porcelain tire lacquer ware, and become the witness of the times. The transformation of material form between lacquer and porcelain makes the material definition of porcelain tyre lacquerware ambiguous. The result is that porcelain tire lacquer ware is defined as porcelain in the category of porcelain, and it is defined as lacquer ware in the category of lacquer ware. But the aesthetic of art itself is the focus of attention. Thus, cross-media art will be the direction of development in the future, and the boundaries between the various categories of art will become blurred. In this wave of art, porcelain and lacquer material combine to create a new appearance of lacquer ware, and become a new art expression form.
【学位授予单位】：福建师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J527

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