剪出线的韵律
发布时间：2018-08-31 08:52
【摘要】：正利用线来刻画物象,是人类原始的绘画手段,用线来表现事物的线条、特征、结构、装饰是东方绘画最早的表现形式。尽管中西绘画中都曾使用线,但其原始的出发点与美学观念有着本质的不同。以线立骨在中国绘画技法中有着特殊的意义,在西方绘画中没有线的概念,把绘画中的线看成是浓缩成无数个面和体积,正如绘画大师罗丹所说:"没有线,只有体积。当你们勾描的时候,千万不要只着眼于轮廓,而要注意形体的起伏,是起伏支配着轮廓。"①罗丹的说法完全抛开了线存在的实际意义而被另一种表现形式所替代。在西方的绘画表现中,对线的客观
[Abstract]:The line is used to depict the object image, which is the original method of human painting. The line is the earliest form of expression of the eastern painting, which shows the lines, characteristics, structure and decoration of things. Although both Chinese and Western paintings have used lines, their original starting point and aesthetic concept are essentially different. It is of special significance in Chinese painting techniques to use line to stand bone. In western painting, there is no line. The line in painting is condensed into innumerable faces and volumes. As the master of painting Rodin said, "there is no line, only volume. When you tick, don't just focus on the outline, but pay attention to the ups and downs of the body, which dominate the outline. "1 Rodin's statement completely sets aside the actual meaning of the existence of the line and is replaced by another form of expression. In Western painting, the objectivity of the line
【作者单位】： 绥化学院艺术设计学院;
【分类号】：J528.1
[Abstract]:The line is used to depict the object image, which is the original method of human painting. The line is the earliest form of expression of the eastern painting, which shows the lines, characteristics, structure and decoration of things. Although both Chinese and Western paintings have used lines, their original starting point and aesthetic concept are essentially different. It is of special significance in Chinese painting techniques to use line to stand bone. In western painting, there is no line. The line in painting is condensed into innumerable faces and volumes. As the master of painting Rodin said, "there is no line, only volume. When you tick, don't just focus on the outline, but pay attention to the ups and downs of the body, which dominate the outline. "1 Rodin's statement completely sets aside the actual meaning of the existence of the line and is replaced by another form of expression. In Western painting, the objectivity of the line
【作者单位】： 绥化学院艺术设计学院;
【分类号】：J528.1
【相似文献】
相关期刊论文 前10条
1 张学华;;剪纸作品创作构思[J];美术教育研究;2010年03期
2 舒秋玲;;蔚县剪纸 五彩风情[J];旅游;2007年11期
3 ;剪纸[J];当代体育;2009年02期
4 李淑珍;;试谈北方剪纸欣赏[J];美术之友;2006年04期
5 黄可;;中国戏曲画史漫说之九 剪纸艺术中的戏曲[J];上海戏剧;2009年06期
6 ICODE;;剪纸艺术[J];城市住宅;2006年04期
7 许春芳;汤彩萍;;剪纸艺术的潜在魅力[J];网络科技时代;2008年22期
8 李红欣;;妙剪舞出万般柔情[J];华北电业;2007年03期
9 简心;;剪出一片春天[J];市场w，
本文编号：2214502
本文链接：https://www.wllwen.com/guanlilunwen/lvyoujiudianguanlilunwen/2214502.html
