茅坤古文选本与批评——“逸调”的提出、运用及其意义

发布时间：2017-12-27 01:01

本文关键词：茅坤古文选本与批评——“逸调”的提出、运用及其意义　出处：《文学遗产》2017年04期 　论文类型：期刊论文

【摘要】：在晚明的文坛上,由于不满意"前七子"及其末流重形貌模仿的复古习气,茅坤在编纂和圈评《史记钞》《汉书钞》的过程中,明确提出学神理的复古主张,并且以"逸调"来坐实神理,在《唐宋八大家文钞》的批评实践中进一步加以推广和运用,使其最终被确立为古文批评的理想范畴。茅坤利用这一范畴,一方面对古文的标准范式和应有之义进行了规定;另一方面又利用其重塑文统,打通秦汉与唐宋,提出由唐宋入手,迂回学秦汉的新策略,对当时谨守秦汉门户的复古习气进行了纠偏。
[Abstract]:In the late Ming Dynasty literary circles, because not satisfied "before the seven" end and heavy morphology imitate retro habits, Mao Kun in the compilation and review of "historical records" one circle "Han notes" in the process, clearly put forward God of Learning the ancients, and to "escape" to that of God, to be promotion and application in the practice of criticism of Tang and Song Dynasty "eight" in this note further, which was eventually established as the ideal category of ancient prose criticism. Mao Kun using this category, on the one hand, the classical standard paradigm and the proper meaning of the regulations; on the other hand the use of the system open and remodeling, the Qin and Han Dynasties of Tang and Song Dynasty, put forward by the new strategy of the Tang and Song Dynasties, roundabout in Qin and Han Dynasties, the Qin and Han keep portal for the correction of retro habits.
【作者单位】：南京师范大学文学院;
【基金】：江苏省高校哲学社会科学研究基金资助项目“‘史汉异同’与明清文论的历史建构”(项目编号2015SJB102)阶段性成果
【分类号】：I206.2
【正文快照】： 一从“预流”到“叛道”:复古风气中的茅坤当茅坤在正德七年(1512)出生的时候,以李梦阳、何景明为代表的“前七子”的文学活动已经基本接近尾声:最早逝的徐祯卿于正德六年(1511)已亡,何景明、李梦阳紧接其后,分别死于正德十六年(1521)和嘉靖十年(1531),而最老寿的王九思也不过

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