从诗歌声音的角度看陆时雍“神韵”论

发布时间：2018-01-25 01:17

本文关键词： 陆时雍神韵声音声色情景　出处：《学术探索》2017年03期 　论文类型：期刊论文

【摘要】：陆时雍的神韵论是清代王士祯神韵论的前奏。陆时雍的神韵论有较清晰的层次:气是意,色、声、情、景的根源;情、景促成境,意、色促成格,声促成调;通过无、微的方式,格、调、境向韵过渡,并最终形成神。陆时雍通过声色、情景而构建神韵的做法实质就是希图借用这些概念来提升六朝诗歌在中国诗歌史上的价值与地位、贬低唐诗的价值与地位,从理论与实践上达到了祛唐扬齐的目的,并最终批判"以盛唐为诗"的复古诗学。
[Abstract]:Lu Shiyong's theory of charm is a prelude to Wang Shizhen's theory of rhyme in Qing Dynasty. Lu Shiyong's theory of charm has a clear level: Qi is the root of meaning, color, sound, emotion and scenery; Feeling, scene enabling the environment, meaning, color to facilitate the lattice, voice to promote the tone; Through no, micro way, lattice, tone, territory to the rhyme transition, and eventually formed a god. Lu Shiyong through the tone of color. The essence of setting up the charm is to borrow these concepts to enhance the value and status of the poetry of the six dynasties in the history of Chinese poetry and to degrade the value and status of the Tang poetry. In theory and practice, the aim of dispelling Tang Yangqi was achieved, and the retro poetics of "taking the prosperous Tang Dynasty as the poem" was finally criticized.
【作者单位】：西南林业大学人文学院;
【基金】：教育部人文社会科学研究青年基金项目(13JYC751020)
【分类号】：I207.22
【正文快照】： 陆时雍(1612~1670?),字仲昭,一作昭仲,号澹我,浙江桐乡人。陆时雍少年颖悟,性不耐俗,崇祯六年中举、得贡生。能文工诗,著述繁富,辑有《古诗镜》三十六卷、《唐诗镜》五十四卷。其中,“总论”一卷被丁福保辑入《历代诗话续编》,题作《诗镜总论》,共119则。蔡镇楚曾云:“陆氏的

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