艾芜小说与侠文化研究
发布时间:2018-01-29 12:38
本文关键词: 艾芜小说 侠文化 侠义人格 侠文化意蕴 出处:《山东师范大学》2017年硕士论文 论文类型:学位论文
【摘要】:侠文化是历史悠久、具有中国特色的传统文化之一。在它与中国的文学互相融合、互相影响之下,出现了许多体现侠文化精神的作品。侠文化在与中国文学的交融之中不断发展,逐渐成为了一种具有独立意义的文化存在。近代以来,随着西方文化的传入,侠文化与之交融,并有了新的发展,成为新文学作家用于改造国民性的重要思想资源。艾芜是中国现代文学史上经历十分独特的作家。他从小便受到了侠文化的熏陶,侠文化无意识地积淀于他的思想和行为之中。他对英雄侠客有着崇拜和向往之情,渴望行侠仗义、自由地浪迹江湖。同时,巴蜀文化中对自由的追求、袍哥文化中义字当先的精神也深深影响着艾芜。新文化中自由平等民主等观念的洗礼,使艾芜逐渐形成了追求自由平等、敢于冒险和拼搏、重情重义的侠义人格。在这种人格的制导下,艾芜主动选择自由地生活,开始了在西南边地的漂泊旅程。在西南充满野性的土地上,艾芜结交了各路“江湖”朋友,他不仅感受到了这个化外之地的野性和自由,而且感受到了生活在其中的底层民众的侠性魅力。于是艾芜将这些富有侠义精神人物纳入自己的小说当中,塑造了众多的盗贼、侠女等侠义形象,这些侠义形象不同于传统的侠义小说,表现出鲜明的独特性。艾芜在小说中塑造了一个独特的江湖世界,这个江湖是所有生活在主流边缘那些人物的活动场所,他们试图在这一江湖世界建立一种新的生存方式和生活秩序,不再受正统秩序的约束。漂泊经历和侠义人格也影响了艾芜的小说叙述,使其叙述语言、叙事方式和表达都呈现出自由随性、不受拘束的侠性特点。艾芜在自身侠义人格的制导和时代责任的感召之下,也致力于将侠文化中积极的质素用于改造国民性,重铸民族精神。艾芜小说中所呈现的侠文化意蕴,由于其独特经历,具有了独特性和典型性。仗义行侠、复仇精神、对自由的追求、野蛮强力,艾芜小说中体现出的这些独特意蕴,对改变国民性格中的奴性和自私自利,进而为国民灵魂注入活力,具有重要的指导意义。
[Abstract]:Chivalrous culture is one of the traditional cultures with long history and Chinese characteristics. The chivalrous culture has developed continuously in the blending with Chinese literature, and has gradually become a kind of cultural existence with independent significance. Since modern times, with the introduction of western culture. Chivalrous culture blends with it and has a new development. Ai Wu is a writer with unique experience in the history of modern Chinese literature. He has been influenced by chivalrous culture since he was a child. The chivalrous culture unconsciously accumulated in his thought and behavior. He adored and yearned for the hero chivalrous, eager to act chivalrous justice, free waves of rivers and lakes. At the same time, the pursuit of freedom in Bashu culture. The spirit of "the first word" in the culture of robes also deeply influenced Ai Wu. The baptism of the concept of freedom, equality and democracy in the new culture, which gradually formed the pursuit of freedom and equality, dare to venture and struggle. Under the guidance of this personality, Ai Wu took the initiative to live freely and began the journey of wandering in the southwest, which was full of wild land. Ai Wu made friends with all kinds of "rivers and lakes". He not only felt the wild nature and freedom of this land. And felt the chivalrous charm of the people at the bottom of it. So Ai Wu brought these chivalrous characters into his novels, and created many chivalrous images such as thieves, chivalrous women and so on. These chivalrous images are different from the traditional chivalrous novels, showing a distinct uniqueness. Ai Wu has shaped a unique world of rivers and lakes in the novel, which is the activity place of all the characters living on the edge of the mainstream. They tried to establish a new way of life and order of life in this world, no longer subject to the constraints of orthodox order. Wandering experience and chivalrous personality also affected Ai Wu's novel narration, making it narrative language. Narration and expression are free and unfettered chivalrous. Ai Wu is guided by his chivalrous personality and inspired by the responsibility of the times. Also committed to the chivalrous culture in the positive quality of the transformation of the national character, re-cast the national spirit. Ai Wu's novel chivalrous culture, because of its unique experience, has a unique and typical. The spirit of revenge, the pursuit of freedom, the brute force, the unique implication embodied in Ai Wu's novels, can change the enslavement and selfishness in the national character, and then inject vitality into the national soul. It has important guiding significance.
【学位授予单位】:山东师范大学
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:I207.42
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