《墙头马上》:喜剧风格掩映下的家庭伦理悲剧

发布时间：2018-01-30 20:46

本文关键词： 墙头马上家庭伦理悲剧　出处：《四川戏剧》2017年10期 　论文类型：期刊论文

【摘要】：以喜剧面貌呈现在世人面前的元杂剧《墙头马上》亦包孕着悲剧质素,白朴一生九患的经历令他强调血缘与情感对家庭稳定的双重维系,同时他也清醒意识到意外、无常、疏离、冷漠对家庭和谐的破坏。他如实描写了伦理化的家庭体系中父子、父女、母女、夫妻、翁媳之间的矛盾冲突,揭示了以父权和夫权为核心的男权社会个体强烈的个性解放欲求与根深蒂固的传统价值观念、封建伦理体系或隐或显的对峙抗衡。白朴在表层的喜与深层的悲的二重碰撞中体味着人生、家庭的离合聚散。《墙头马上》家庭伦理悲剧呈现既有历史常态映射,也受制于白朴文人身份与市井经历,白朴在两重审美取向与两重纠结情感下,以一定量的苦与悲解构了封建家庭伦理规范。
[Abstract]:The Yuan Zaju, presented in front of the world by comedy, also contains the tragic quality. Bai Pu's experience of nine patients in his life makes him emphasize the dual maintenance of blood and emotion to the stability of his family. At the same time, he is conscious of the destruction of family harmony caused by accident, impermanence, alienation and apathy. He describes the conflicts between father and son, father and daughter, mother and daughter, husband and wife, and wife and daughter-in-law in the ethical family system. It reveals the strong desire for individual personality liberation and deep-rooted traditional values of patriarchal and patriarchal individuals in the patriarchal society. Feudal ethics system or hidden or explicit confrontation. Bai Pu in the surface of the double collision of joy and deep sorrow in the taste of life. Family clawing and gathering. Family ethics tragedy presents both historical and normal mapping, but also subject to Bai Pu literati identity and market experience, Bai Park in the dual aesthetic orientation and twofold entangled feelings. The ethical norms of feudal family were deconstructed with a certain amount of bitterness and sadness.
【作者单位】：河南科技大学人文学院;
【分类号】：I207.37
【正文快照】： 《礼记·乐记》云:“凡音者,生于人心者也;乐者,通伦理者也。”[1](p3313)伦理一词最初指事物有条有理、有秩有序,后用于人伦纲常、礼仪规范。中国封建社会是家国同构的伦理社会,家是缩小的国,国是放大的家,人伦纲常不仅调整着家庭成员关系,也维系着社会稳定、政治统治的正常

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