小令语言艺术研究:结构与词境

发布时间：2018-02-26 23:29

本文关键词： 小令结构小令词境题评章节二元结构序列结构叠加结构　出处：《文学评论》2017年02期 　论文类型：期刊论文

【摘要】：与笔者其他相关论文相似,本文采取了"古为今用"和"洋为中用"的研究策略。就本文的研究而言,所谓"古"是古代文论中的句法、章法、篇法论,而"洋"是指源自西方的现代句法分析理论。本文首节评述刘勰的句、章、篇法论以及孔颖达和朱熹对刘氏理论运用于分析《诗经》作品的作法,指出古典诗歌的研究需要关注节奏、句法、结构的内在联系,而从三者的互动之中探究各种艺术诗境界产生的Yg秘。同时,笔者又借鉴现代句法分析理论,重构了汉语的主谓句所遵循时空-逻辑的组织原则、以及汉语非主谓句(即"话题句"或"题评句";"topic+comment sentence")所遵循的非时空-逻辑的组织原则,并指出古典诗歌中章节和全篇的组织也同样遵循这两大基本原则。第二节着重分析小令独特创新的章节结构,即建立于非时空-逻辑原则的题评章节,总结出头小尾大和头大尾小的两大类,而各自又根据题语(topics)和评语(comments)的字数再分出小类,并略论它们的审美效果。第三节再进一步,将小令的全篇结构分为三大类:由主谓句演变出来的序列结构、以及由题评句演变出来的二元结构和叠加结构。在小令之中,序列结构出现的频率可能最高,但最有创新特征的则是叠加结构。第四节通过与诗体的比较,展示词独特的"文繁"而"意愈广愈深"的艺术境界,并且特别指出,词的叠加结构之中,时空不断跳跃变换,对创造理想的词境起着关键的作用。
[Abstract]:Similar to the other related papers, this paper has taken the strategy of "make the past serve the present and foreign things serve China. In this study, the so-called" ancient "syntax in Chinese ancient literary theory and art, discourse theory, and" foreign "refers to the modern western theory of syntactic analysis. This paper first review Liu Xie, chapter, discourse theory and Kong Yingda and Zhu Xi on the use of Liu's theory to the analysis of Book of Songs work practice, points out that the study of classical poetry to the rhythm, syntactic structure, internal relations, and from the interaction of the three explored all kinds of Arts Poetry realm Yg Peru. At the same time, the author and the modern reconstruction of Chinese syntactic parsing theory, subject predicate sentence followed by temporal logic - organization principle, and nonsubject predicate sentence (i.e." topic sentence "or" comment sentence ";" topic+comment sentence ") the principle of non - temporal logic organization followed, and pointed out that the classical The chapters and poetry in the organization also follow the two basic principles. The second section focuses on the analysis of the chapter structure poem unique and innovative, that is based on non space-time - logical principle problem evaluation section, summarize the early small tail and large head and a small tail of two categories, and each according to the problem of language (Topics) and comment (comments) the number of re classified, and on the aesthetic effect of them. The third section further, the structure of the poem will be divided into three categories: sequence structure evolution by predicate sentence, and the sentence review evolved two element structure and overlay structure. In short, sequence the structure of the frequency of the highest possible, but most innovative feature is the overlay structure. The fourth section makes a comparative and poetic, display the word unique "the fan" and "the larger the more deep artistic realm, and pointed out that the word structure node superposition, space-time continuous jump Jump transformation plays a key role in creating ideal words.

【作者单位】：美国伊利诺伊大学东亚语言文化学系;
【基金】：香港研究资助局优配研究金的资助,项目编号LU13400014
【分类号】：I207.23

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