何处是归程:苏轼诗词中鸿雁意象的诗意阐释

发布时间：2018-02-27 17:16

本文关键词： 鸿雁苏轼诗意阐释　出处：《中南大学学报(社会科学版)》2017年02期 　论文类型：期刊论文

【摘要】：苏轼一生宦海沉浮的漂迫经历所形成的“天涯倦客”般的自我认知,使他的诗词世界中频繁地出现了各种存在形态的鸿雁意象。孤鸿意象成了苏轼个体人格的最好比拟;雪泥鸿爪之喻则典型地体现了苏轼强烈的人生如寄思想;对生命存在的悲剧性体验与深层喟叹使他在归鸿意象中体现出较为纯粹的精神式盼归之情;最后,苏轼在将道的超越精神与儒的创造精神和佛的隐忍精神三者合而为一的过程中,在经历了“壮心—忧心—倦心—心安”的内在心路发展演变后,终于在“吾心安处是吾乡”的超越中,为自我生命找到了最后的诗意栖居之所。这也使得苏轼诗词中的鸿雁意象不但继承发展了宋代之前中国古典诗词中鸿雁意象所传递出来的多元文化意蕴,而且也展现了苏轼在不同生命历程阶段对自我及宇宙人生的深刻思考与体悟。
[Abstract]:Su Shi's self-cognition of "tiredness in the world" formed by his driftway experience in his life of official life made him appear frequently in his poetry world with various forms of images of wild geese, which became the best analogy of Su Shi's individual personality. The metaphor of Xuehu's claw is typical embodiment of Su Shi's strong thoughts on life; the tragic experience and deep feeling of life make him reflect a more pure spiritual feeling in the image of returning to Hong; finally, In the process of combining the transcendental spirit of Taoism with the spirit of creativeness of Confucianism and the spirit of forbearance of Buddha, Su Shi experienced the development and evolution of the inner way of "strong heart, worried heart, tired heart and peace of mind". Finally, in the transcendence of "my heart is my hometown", It also made the image of "Hongyan" in Su Shi's poems not only inherit and develop the multi-cultural implication of the image of "Hongyan" in Chinese classical poetry before the Song Dynasty. It also shows Su Shi's deep thinking and understanding of himself and universe life in different stages of life.
【作者单位】：云南师范大学职业技术教育学院;
【分类号】：I206.2

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