清代宁夏诗人研究
本文关键词: 清代 宁夏诗人 宁夏诗歌 地域特色 价值 出处:《宁夏大学》2017年硕士论文 论文类型:学位论文
【摘要】:清代宁夏诗人是清代宁夏诗歌史上重要的创作主体,也是清代宁夏地域文学中必不可少的研究对象,根据《四库全书》、《续四库全书》、《清史稿》及清代宁夏各地方志,笔者考证到的清代宁夏诗人共计135位,有本土及外籍诗人。清代宁夏诗人创作丰富,涉及诗歌、文章、地方志等著述,主要收录于清代各类地方志以及今人学者胡迅雷、杨继国等主编的《宁夏历代诗词集》、《宁夏历代艺文集》等相关著作中。本文以清代宁夏诗人为研究对象,在整体把握清代宁夏诗人创作概况的基础上,对于其中诗文创作质量高,影响大的诗人进行个案分析,以期完成对清代宁夏诗人诗文创作的艺术及文献价值的研究。本论文由引言、正文、结语三部分构成。引言主要阐述研究意义与价值,国内外研究现状,研究内容及方法。第一章对清代宁夏诗人产生的地理位置及清代宁夏历史文化发展作以概述,明确孕育本土诗人产生条件,以及影响外籍诗人入宁的历史背景及其传递的思想文化,在此基础上简述清代宁夏诗人的创作概况及其诗文的总体特征。第二章主要论述清初宁夏诗人创作群初成规模,在阐述清初宁夏诗人创作概况的基础上,以本土诗人俞益谟为中心的俞氏诗人家族及由明入清的外籍诗人黄图安为例,阐释清初宁夏诗人及其诗文创作的初步发展。第三章主要论述清中叶宁夏诗人创作群异军突起,其诗歌创作也趋向多样化、内涵化、深刻化。笔者从中选取本土地方志诗人编撰群以及外籍诗人中为官为学方面皆有作为及影响的诗人黄恩锡、顾光旭及杨芳灿为例,分析此期清代宁夏诗人及其诗文的创作盛况。第四章主要论述清末诗人创作群零星闪耀,在战乱背景下,诗人数量下降,诗歌创作几近凋敝。即便如此,仍有几颗零星闪耀,诗文作品呈现言志和归隐等不同风格,笔者以清末同时期的本土诗人赵尚仁与吴复安为例进行对比分析,论述清末大时期背景下诗人不同的创作心态。第五章通过对上述四章的分析,在对清代宁夏诗人及其创作整理和概括的基础上,结合对清代各个分期下宁夏代表性诗人创作作品的具体分析。本文试图通过艺术特征、史料价值两个方面去评估清代宁夏诗人创作诗歌、文章及地方志等主要作品的意义。
[Abstract]:The poet of Ningxia in Qing Dynasty is an important creative subject in the history of poetry of Ningxia in Qing Dynasty, and it is also an indispensable research object in Ningxia regional literature of Qing Dynasty. According to "Siku Quan Shu", "continuation of Siku Quan Shu", "manuscripts of Qing Dynasty" and various local records of Ningxia in Qing Dynasty, There are 135 poets in Ningxia in Qing Dynasty, including native and foreign poets. The poets of Ningxia in Qing Dynasty are rich in writing, including poems, articles, local chronicles and so on, which are mainly included in all kinds of local chronicles of Qing Dynasty and Hu Xunlei, a contemporary scholar. Yang Jiguo et al.'s collection of poems of the past dynasties of Ningxia and the collection of art works of the past dynasties of Ningxia, etc. This paper takes the poets of Ningxia in Qing Dynasty as the research object, and on the basis of the overall understanding of the general situation of the creation of the poets of Ningxia in the Qing Dynasty, In order to complete the research on the art and literature value of the poetry and prose creation of Ningxia poets in Qing Dynasty, this paper is based on the introduction, the text, the text, and the case study of the poets with high quality and great influence of poetry and prose creation in the Qing Dynasty. The introduction mainly expounds the significance and value of the research, the current research situation at home and abroad, the research contents and methods. The first chapter summarizes the geographical position of Ningxia poets in Qing Dynasty and the historical and cultural development of Ningxia in Qing Dynasty. To make clear the conditions for the birth of local poets, and the historical background and the ideological and cultural transmission of foreign poets to Ning, On this basis, the general situation of Ningxia poets' creation in Qing Dynasty and the general characteristics of their poems are briefly described. The second chapter mainly discusses the scale of Ningxia poets' creation group at the beginning of Qing Dynasty, and on the basis of describing the general situation of Ningxia poets' creation in the early Qing Dynasty. Taking Yu Yimu as the center, Yu's poet family and Huang Tuan, a foreign poet from Ming to Qing Dynasty, as an example, this paper explains the initial development of Ningxia poets and their poetry creation in the early Qing Dynasty. Chapter three mainly discusses the emergence of Ningxia poets' creative group in the middle of Qing Dynasty. His poetry creation also tends to be diversified, intensively and deeply. The author selects the local local chronicles poets compilation group and the poets who are the officials of the foreign poets, such as Huang Enxi, Gu Guangxu and Yang Fangcan, for example, who have both done and influenced in the field of learning, such as Huang Enxi, Gu Guangxu and Yang Fangcan. The 4th chapter mainly discusses the sparkle of poets' creation group in the late Qing Dynasty. Under the background of the war, the number of poets declined and the poetry creation almost declined. Even so, there are still a few scattered sparkles. The author takes Zhao Shangren and Wu Fu'an, the local poets of the late Qing Dynasty, as examples to make a comparative analysis. On the basis of the analysis of the four chapters mentioned above, this paper discusses the different creative mentality of the poets in the late Qing Dynasty. Chapter 5th, on the basis of sorting out and summarizing Ningxia poets and their creation in the Qing Dynasty, This paper attempts to evaluate the significance of the poems, articles and local chronicles of Ningxia poets in Qing Dynasty from two aspects of artistic characteristics and historical data value.
【学位授予单位】:宁夏大学
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:I207.22
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