论“中国的抒情传统”说之得失——兼谈考量中国文学传统的标准与方法问题

发布时间：2018-03-05 02:26

本文选题：抒情传统　切入点：抒情美典　出处：《文学评论》2017年04期 　论文类型：期刊论文

【摘要】：中国"抒情传统说"是海外华裔学者陈世骧、高友工等学人提出并加以论证的一种关于中国文学特质的观点。此说提出四十多年来在海内外学界产生了重要影响,响应者甚众,但也有一些批评乃至否定的声音。"抒情传统说"虽然也提出了不少颇具启发意义的见解,但总体上看却存在着一种"具体性误置"的形而上学倾向,其目的本来是要彰显中国文学的特质,结果却反而遮蔽了中国文学自身的种种独特性与复杂性。或许只有历史化、语境化的研究路径可以避免重蹈这种概念形而上学的覆辙。"抒情传统说"绝对不仅仅是一个孤立的学术观点的问题,它涉及到我们今天应该如何看待中国文学传统乃至整个中国文化传统的问题,涉及到文学研究乃至整个文化学术研究的方法论问题,自然也就涉及到学术研究中如何处理"古"与"今"、"中"与"西"的关系问题,所以有必要引起广泛注意,展开深入讨论。
[Abstract]:Chinese "lyrical tradition theory" is a kind of view about Chinese literature characteristic put forward and demonstrated by overseas Chinese scholars Chen Shixiang and Gao Yougong, etc. It has had an important influence in academic circles at home and abroad for more than 40 years. But there are also some criticisms and even negative voices. Although the lyric tradition has offered many enlightening opinions, there is a metaphysical tendency of "concreteness misplacing" in general. Its purpose was to reveal the characteristics of Chinese literature, but the result was to obscure the uniqueness and complexity of Chinese literature itself. Contextualized research paths can avoid repeating the metaphysical mistakes of the concept. "lyric tradition" is definitely not just an isolated academic point of view. It involves how we should look at the Chinese literary tradition and even the whole Chinese cultural tradition today, and the methodology of literary research and even the whole cultural academic study. Nature also involves how to deal with the relationship between "ancient" and "present", "middle" and "west" in academic research, so it is necessary to arouse extensive attention and carry out in-depth discussion.
【作者单位】：北京师范大学文艺学研究中心;
【基金】：教育部高校人文社会科学重点研究基地重大项目“中国文化精神的文学表征”(项目批准号:16JJD750008)的阶段性成果
【分类号】：I206

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