门,迷悟,张爱玲

发布时间：2018-03-05 07:05

  本文选题：张爱玲　切入点：门　出处：《中国现代文学研究丛刊》2017年05期 　论文类型：期刊论文

【摘要】："门",是张爱玲小说中反复出现、具有启示意义的时空体形式。"门"既区分"内"与"外",也作为门内、门外的间隙,连通"内"、"外"两个世界。张爱玲曾以"把我包括在外"定位她本人在文学史中的位置与归属:是例内,也是例外;既包括,也排除。此一"包括在外"以及"排除在内"的位置,恰可呼应"门"、"门槛"的临界、过渡、中间性以及模棱两可等特征。笔者以为,张爱玲借助对"门"的边界、跨界、越界的重复描述,"门"的开启、关闭、半开半掩,"门"与男女人物之间的时空以及情感的定位、移位、错位等叙事安排,书写了笔下人物在日常生活的小世界与战时漂泊离散的大世界中的"迷悟",以及方向感或反向感的辨识与体认。
[Abstract]:"Gate" is a form of space-time body which appears repeatedly in Zhang Ailing's novels and has enlightening significance. "Gate" not only distinguishes between "inside" and "outside", but also acts as the gap between inside and outside. Connecting the two worlds of "inside" and "outside" Zhang Ailing used to "include me" to define her own place and place in the history of literature: in this case, it is an exception; it includes, This position of "including out" and "excluding inside" can echo the characteristics of "door", "threshold", the criticality, transition, intermediation, and ambiguity. The author thinks that Zhang Ailing crossed the border with the help of the border on the "door". The repeated description of the crossing, the opening and closing of the "door", the half-open and half-covering, the space and time between the "door" and the characters of men and women, and the location, displacement and dislocation of emotion, etc. In this paper, the author writes about the characters'"disillusionment" in the small world of daily life and the large world wandering away in wartime, as well as the recognition and realization of the sense of direction or the sense of reverse.
【作者单位】： 美国罗格斯大学亚洲语言文化系;
【分类号】：I207.42
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本文编号：1569211