“五四”时期傅斯年文论中的身份认同及困境

发布时间：2018-03-19 19:50

本文选题：“五四”　切入点：傅斯年　出处：《山西大学学报(哲学社会科学版)》2017年02期 　论文类型：期刊论文

【摘要】："五四"时期傅斯年的文论中流露出自信的设计者的身份认同,这表现在他面对诸如汉字、戏剧、拼音文字、白话文等文学与文化命题时,热衷于以列条目的量化形式,来评说、设计、指导、解决这些很难进行量化的对象。然而,留学英国前夕的傅斯年却由设计者急遽转变为一个彷徨者,流露出思想上的"自我颠覆",而这正是其思想困境的表征,在于主体"灵魂的分裂"所导致的深沉的矛盾。历史不允许傅斯年站在一种理论的边缘交汇处彷徨流连,而是要求他坚定地站在新文学观的中心处,从而导致他的文学思想始终被时代主流话语所宰制,正因此,当他制造出带有鲜明"修辞特征"的"权力话语"时,这种话语在未曾规范整个社会之前,已率先压抑了或消解了他自身的深层"趣味"。这正是傅斯年文学思想的一个命定性困境。
[Abstract]:Fu Sinian's literary theory during the May 4th period revealed the identity of a self-confident designer, which was manifested in his enthusiasm for quantifying items in the form of a list of literary and cultural propositions such as Chinese characters, drama, phonetic characters, vernacular characters, etc. To comment on, design, guide, solve these difficult to quantify the object. However, on the eve of studying in Britain, Fu Sinian has changed from a designer to a hesitant. It reveals the ideological "self-subversion", and this is the representation of its ideological dilemma, which lies in the deep contradiction caused by the "split of the soul" of the subject. History does not allow Fu Sinian to stand at the edge of a theory and wander around. Instead, he was asked to stand firmly at the center of the new literary view, which led to the fact that his literary thought was always dominated by the mainstream discourse of the times. Therefore, when he created the "power discourse" with distinctive "rhetorical characteristics", Before regulating the whole society, this kind of discourse has been the first to suppress or eliminate his own deep "taste", which is just one of the predicaments of Fu Sinian's literary thought.
【作者单位】：厦门大学人文学院;
【分类号】：I206.6

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