《妇女杂志》中的女性文学批评研究

发布时间：2018-04-21 22:13

本文选题：《妇女杂志》 + 女性　；参考：《济南大学》2017年硕士论文

【摘要】：《妇女杂志》(1915—1931)是中国近现代历史上发行量最大、发行时间最久、覆盖面最广的女性期刊,发行17年间,影响深远,是近现代中国女性文化的典型代表。当代学界对其有诸多研究,但对杂志中丰富的女性文学批评却缺乏应有的关注。本文首次全面整理《妇女杂志》中45位女性作者所作的51篇文学批评作品,采用细读方式,分析其具体内容与理论特征,进而深入探讨近代以来中国女性文学批评的特征与发展路径。论文共分六章。第一、二章概述《妇女杂志》中女性文学批评的作品与作者。共整理发现51篇女性所作文学批评,以1920年为界,分为文言和白话两个阶段,据其内容特征大致可分为诗话类作品、研究性作品和随笔类作品三类。写作这些批评作品的共计45位女性作者,大都未见有生平考述。研究发现,这些女性大都在新式学堂或家族私塾中接受过教育,其中有女学教师、女学校长、社会活动家、革命者;她们与当时的社会文化名流也多有往来。在地域上,以江苏、上海、浙江、安徽的作者为多。第三章主要对女性诗话类作品进行了考察。在《妇女杂志》连载的《小南强室笔记》《镜台螺屑》《瓶笙花影录》《瑶台玉韵》4部女性诗话中,或侧重“论诗及事”,或侧重“论诗及辞”;采用以意逆志、本事批评、比较批评等方式,对明清时期的106位女性诗人及其诗作进行了点评。被女性诗话评论的女诗人集中于江南一带,多为闺秀作家,诗话的女性作者推重德才兼具的女诗人,对“清”“情”、怨而不怒、风格自然的诗歌赞誉有加。第四章主要分析具有研究性质的批评作品,包括6篇文言作品和11篇白话作品。研究发现,这些批评,涉及对女性与文学关系的多角度探究,女性作者们对铭文、歌谣表示出特别的兴趣,她们或综论中国诗文发展流变过程,或比较文言作品与白话文,或倡言白话作为新文体的社会功用。还有的文章对顾太清、朱淑真、赛维宜夫人等女性作家进行了比较深入的研究。在研究中,女性作者多采用社会批评视角,体现出人本主义文学观,也可从中看到她们女性主义文学观念的萌芽。第五章探讨随笔类批评作品。随笔类批评共计29篇,主要为序文、读后感以及其他性质的随笔。在这些批评作品中,有对女性文学创作动机的描述(包括记录个体经验、坎坷生平诱发创作、有合适的创作机缘几个方面)、对作品独具视角的评论;对文学阅读问题的多方面探讨(包括对阅读功用、阅读倾向、阅读要求的讨论几个方面),还有对文章写作方法的讨论(包括阐述游历对文学创作的重要性、指导写作教育的进行、阐释写作需要实践与理论的储备)等。体现了女性批评作者日渐开放的视野与视角独特的批评特征。第六章总结《妇女杂志》中女性文学批评的特征与研究价值。批评语体由文言向白话,批评形式与对象由单一到丰富,批评话语由传统到现代是《妇女杂志》女性文学批评呈现出的总体特征。这批女性批评作者及作品,对于中国文学史、文学批评史而言具有一定的资料价值。这些女性文学批评真实记录和保存了当时女性的创作状态、文学阅读等情形,极具史料价值。《妇女杂志》中的女性文学批评作品真实反映了中国女性文学批评的成长历程。女性作者们对女性诗作的品评、对女性与文学关系的强调、将女性文学与追求男女平等、女性解放等结合起来的批评思路,均体现了具有时代特色的女性文学批评思想,具有独特的理论价值。
[Abstract]:< women's magazine > (1915 - 1931) is the largest female journal in China's modern history, the longest circulation time and the most extensive coverage of women's periodicals which have been issued for 17 years. It is a typical representative of modern Chinese women's culture. The article first comprehensively collates the 51 literary criticism works made by the 45 female writers in the women's magazine, and analyzes its specific content and theoretical characteristics by means of fine reading, and further explores the characteristics and development paths of Chinese women's literary criticism in modern times. The thesis is divided into six chapters. The first, second chapter outlines the feminine literary criticism in the women's magazine. A total of 51 women's writings and criticisms were found to be divided into two stages of classical Chinese and vernacular in 1920. According to their contents, they can be divided into poetic works, research works and three types of essays. The total of 45 female writers who wrote these criticism works have not seen their life tests. Most women have received education in the new school or family private school, including female school teachers, female school principals, social activists and revolutionaries. They also have many contacts with the social and cultural celebrities at that time. In the region, the authors of Jiangsu, Shanghai, Zhejiang, Anhui are many. In the third chapter, women's poetry works are mainly studied. Journal > small south strong room notes > < Jingtai snails > < bottle of Sheng Hua Ying Lu > < Yao Tai Yu rhyme >4 female poetry, or emphasis on "poetry and affairs", or focus on "poetry and rhetoric", and comments on 106 female poets and their poems in the Ming and Qing Dynasties. The female poets are concentrated in the area of the south of the Yangtze River, mostly as a boudoir writer, and the female writers of the poets put emphasis on the poets with both virtue and ability. The poetry of "Qing" and "love", resentment without anger, and the natural style of poetry are praised. The fourth chapters mainly analyze the critical works of research, including 6 classical and 11 vernacular works. And to explore the relationship between women and literature, female writers express special interest in inscriptions and ballads. They may be able to discuss the development and evolution of Chinese poetry, or compare the classical Chinese and vernacular, or the social function of the vernacular as a new style, and the other women writers such as Gu Taiqing, Zhu Shuzhen, LDK's wife and other women writers. In the study, the female writers mostly use the social criticism perspective to embody the humanistic literature view, and can also see the germination of their feminist literary ideas. The fifth chapter discusses the essay criticism works. There are 29 essay criticisms, which are mainly preface, reading and other essays. In the works, there are descriptions of the motives of women's literary creation (including records of individual experience, rough and flat creation, appropriate creative opportunities), comments on the unique perspective of the works, and a number of aspects of literary reading problems (including several aspects of reading, reading, reading, and reading requirements), as well as the article. The discussion of writing methods (including the importance of travel to literary creation, guiding writing education, explaining the need for practice and the reserve of theory), and so on. It embodies the unique critical features of the view and perspective of the female critics. The sixth chapter summarizes the characteristics and research value of women's literary criticism in the women's miscellaneous ambition. The criticisms are from classical to vernacular, the form and object of criticism are from single to rich, and the critical discourse from traditional to modern is the general feature of women's literary criticism. The female criticism writers and works have a definite data value for the history of Chinese literature and the history of literary criticism. The status of women's creation, literary reading and so on were recorded and preserved. The literary criticism of women's magazine reflected the growth process of Chinese women's literary criticism. The female writers' comments on the female poetry, the emphasis on the relationship between women and literature, the equality between women's literature and the pursuit of women and men, women's literature and the pursuit of equality between women and men. The critical thinking combined with sexual liberation embodies the feminist literary criticism with the characteristics of the times, which has unique theoretical value.

【学位授予单位】：济南大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I206.6

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