《左传》富艳说发覆

发布时间：2018-04-21 22:30

  本文选题：范宁 + 左传　； 参考：《湖南大学学报(社会科学版)》2017年03期

【摘要】：《左传》乃经学之一种,又为史学、文学的典范。从批评史的视野来看,对《左传》的批评,事实上已经形成了一个独特的文学批评系统,一些概念、范畴、命题而有了广泛的文学批评史意义。范宁以"富艳"而论《左传》,提要勾玄,堪称允当。《左传》合经学、史学、文学为一体,因而富艳内涵丰溢,涵盖义旨之精微丰厚,义法之高妙、内容之丰富生动以及结构之整饬迭宕、叙事之深婉、语言之奇异、艺术之华美,以及由此而形成的强烈艺术感染力。《左传》之富艳,乃为情而造文,其经学的本色和思想底蕴,成就了堪称伟大之文学。文章申而论之,以期有所发覆,彰显这一范畴的意蕴,有裨益于文学批评及《左传》之研究。
[Abstract]:Zuo Zhuan is one of the classics and the model of history and literature. From the perspective of the history of criticism, the criticism of Zuo Zhuan has in fact formed a unique system of literary criticism, some concepts, categories and propositions have extensive significance in the history of literary criticism. Fan Ning regards "rich beauty" as "Zuo Zhuan", a summary of Gou Xuan, which can be called Yondang. "Zuo Zhuan" is a combination of Confucian classics, historiography, and literature, so rich and rich in connotation, rich in meaning and exquisite in meaning and law. The richness and vividness of the content and the readjustment of the structure, the deep euphemism of narration, the strange language, the beauty of art and the strong artistic appeal formed therefrom. He has achieved what can be called great literature. In this paper, the author hopes to reveal the meaning of this category, which is beneficial to the study of literary criticism and Zuo Zhuan.
【作者单位】： 兰州大学文学院;
【基金】：兰州大学中央高校基本业务费项目(16LZUJBWYJ042)
【分类号】：I206.2
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本文编号：1784372