谁能告诉她:怎么安魂——虞敏华《我转动所有的经筒》读后
发布时间:2018-04-22 13:29
本文选题:经筒 + 复调 ; 参考:《文艺争鸣》2017年08期
【摘要】:正一、非虚构与心灵复调北京《十月》2017年第1期长篇小说专号刊出虞敏华《我转动所有的经筒》(下简称《经筒》),颇有看点,也经得起细读。它有两个特点:形式属"非虚构";内涵是"心灵复调"。说"心灵复调",不能不说陀思妥耶夫斯基。陀氏是十九世纪俄国小说家,所以能与列夫·托尔斯泰并列为"活到二十世纪"的世界文学"双子星座",是因为其复调叙事能将他拷问人性时的全部阴郁与悲怆演示到极致。无论是蜗居彼得堡的那位残杀高利贷老妪的穷大学生拉斯柯
[Abstract]:First, non-fictional and spiritual polyphonic Beijing, October 2017 issue of the first issue of the novel published Yu Minhua "I turn all the canon" (hereinafter referred to as "the tube"), quite interesting, and can stand close reading. It has two characteristics: form is non-fiction and connotation is mind polyphony. To say "soul polyphonic", we cannot but say Dostoevsky. Tuoshi is a Russian novelist of the nineteenth century, so he can be regarded as "Gemini" in World Literature "to the Twentieth Century" alongside Leo Tolstoy, because his polyphonic narration can demonstrate to the extreme all the gloom and sorrowfulness of his torture of human nature. Whether it's the poor college student in Petersburg who killed an old loansharking woman, Rascoe.
【作者单位】: 上海交通大学文学院;
【分类号】:I207.42
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