《全唐五代词》四十一至四十四字小令词律研究

发布时间：2018-04-25 07:38

本文选题：唐五代词 + 小令　；参考：《山东师范大学》2017年硕士论文

【摘要】：词在中国文学史上有着非常重要的地位,唐五代词作为词这种文学体裁的源头,在词学史上的地位举足轻重。唐宋时期,填词皆倚曲调曲拍,宋亡后,词乐也随之亡佚,填词失却了准绳,于是,制定全面、规范的词谱,成为词学研究中非常重要的一部分。前人的词谱研究著作颇丰,集大成者甚众,但集中研究唐五代时期词谱者却不多,而是以各个时期的词作作为整体的研究对象。本文将研究对象定为于唐五代时期的所有词作,以建立涵盖所有该时期词作的全面的、有针对性的词谱。本文以曾昭岷、曹济平、王兆鹏、刘尊明四位先生编纂的《全唐五代词(上下)》为底本,将其中41至44字的小令共计20个词牌、345首词作选出进行研究分析。先后校对基础研究材料、标注每字声韵调、确定多音字音,然后将词作进行分类、归纳词谱、分列正体变体,并将得出的词谱与前人研究进行比对,最终确立该20个词牌的词谱,展现了这些词牌在唐五代时期各体例的字数、用韵、平仄、句式情况。同时,对研究范围内的唐五代词用韵进行研究、比对,得出一些唐五代词的用韵规律,和唐五代至两宋期间的语音变化规律。本论文共分四个部分:绪论,论述了本文的选题理由、研究意义,陈述了该课题的研究现状,列出本文的研究创新点和研究方法。为本文之纲领。第一章唐五代词概说,第一节论述了词的起源以及唐五代词在整个词史上所取得的发展成果,并厘清了词调、词牌、词谱的关系。第二节论述了唐五代词在内容、词谱、语言上与宋词的不同之处,展现了唐五代词的独特性。第二章至第五章汇集了本文主要的研究成果。在第二章至第四章章中,具体分析了20个词牌的词谱,对词牌进行逐一分析,包括词牌词谱、正变体分析、比对结果,并以表格方式展现词牌的分体情况,一目了然。在第五章中,主要分析了唐五代词用韵与诗韵、宋词韵之间的异同关系,不仅得到了一些唐五代词用韵的基本规律,也总结出一些唐五代至宋时的口语语音变化规律。结语,首先以表格形式概括20个词牌的具体情况,其次总结归纳了唐五代词用韵的基本规律以及一些唐五代至宋时的口语语音变化规律。本文主要研究成果在于第二章至第四章各词牌的正、变体词谱,以及第五章的唐五代词用韵特点分析、唐五代至宋的语音变化规律。
[Abstract]:Ci plays a very important role in the history of Chinese literature. As the source of the literary genre of ci in the Tang and five dynasties, ci plays an important role in the history of ci poetry. During the Tang and Song dynasties, the lyrics were written by tunes. After the death of the Song Dynasty, the lyric music was lost and the criterion was lost. Therefore, the formulation of a comprehensive and standardized lexical spectrum became a very important part in the study of ci poetry. There are many works on the ci spectrum of predecessors, but there are not many people who concentrate on the ci spectrum of the Tang and five dynasties, but take the ci works of each period as the whole research object. In order to establish a comprehensive and targeted lexical spectrum covering all the ci works of the Tang and the five dynasties, this paper focuses on the study of ci works in the Tang and five dynasties. Based on Zeng Zhaomin, Cao Jiping, Wang Zhaopeng and Liu Zuming, who compiled "ci (up and down) of the whole Tang Dynasty", this paper selected and analyzed a total of 20 words from 41 to 44 words. Proofread the basic research materials successively, mark the tone of each word, determine the multi-syllable word sound, then classify the words, sum up the word spectrum, separate the orthotypic variant, and compare the obtained word spectrum with the previous studies. Finally, the word spectrum of the 20 word cards was established, which showed the number of words, rhyme, level and sentence pattern of each style in the Tang and five dynasties. At the same time, the rhyme of ci in Tang and five dynasties is studied and compared, and the rules of rhyme and phonetic change between Tang and Song dynasties are obtained. This paper is divided into four parts: introduction, this paper discusses the reasons for the topic, the significance of the study, describes the status quo of the research, lists the innovative points and research methods of this paper. For the program of this article. The first section discusses the origin of ci and the development of ci in the whole history of ci, and clarifies the relationship among ci tone, word sign and ci spectrum. The second section discusses the differences between Tang and Song ci poems in content, ci spectrum and language, and shows the uniqueness of Tang and five dynasties ci. The second to fifth chapters collect the main research results of this paper. In the second to fourth chapters, the paper analyzes the word spectrum of 20 word cards, and analyzes the word signs one by one, including the word sign word spectrum, positive variant analysis, comparison results, and shows the form of the word card in a tabular way, which is clear at a glance. In the fifth chapter, the author mainly analyzes the similarities and differences between the rhyme and poetic rhyme of ci in Tang and five dynasties, and the rhyme of ci in Song Dynasty. It not only obtains the basic rules of rhyme used in ci in Tang and five dynasties, but also sums up some rules of phonetic changes in spoken language from Tang to Song. The conclusion first summarizes the specific situation of 20 word boards in the form of tables, and then summarizes the basic rules of rhyme used in the ci poems of the Tang and five dynasties, as well as the rules of the changes of spoken English pronunciation from the Tang Dynasty to the Song Dynasty. The main research results of this paper are in the second to fourth chapters of the correct, variant ci spectrum, as well as the fifth chapter of the Tang and five dynasties rhyme characteristics analysis, the Tang and five dynasties to the Song Dynasty phonetic changes.
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.23

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