“象”与中国文论范畴生产

发布时间：2018-05-05 22:41

  本文选题：象 + 观物取象　； 参考：《陕西师范大学》2016年博士论文

【摘要】：论文以“象”概念为中国文论元范畴,“易象”和汉字是中国“尚象”文化特有的生命符号,在“天人合一”文化语境下,它内蕴了物之理与人之性,是物质世界与精神世界相互交融的重要领域。“象”具有强大的生命力和创造性,不同时期的文学实践,生成了诸多与“象”相关的概念、范畴、原理和命题,它们具有原生性和本土性,是“象”对不同时代艺术问题的回应,也是构建和体现中国文学品格的重要内容。“易象”奠定了中国“尚象”文化传统,是中国象思维成熟的标志。《周易》“观物取象”的创造原则,形成了“以象示象”“立象尽意”的表达方式,启发了人们对“象外之象”“象外之意”的生命探索。汉字以“象”为本,它面向生命、凝固生命、启发生命、表现生命,它以强烈的感性特征创造了中国文学的各种形式。汉字的普遍性、广泛性和连续性使用,落实和强化了中国“尚象”文化精神。“易象”和汉字对中国文论的知识构型与创造产生了重要影响。“艺象”如“易象”是中国文学理论根深蒂固的观念。“易象”推动了“艺象”的形象创造,“艺象”体现了“易象”的文化原理。汉字是汉文化的载体,是汉文学创造的工具,也是“艺象”的生成与落实,不同时期的“艺象”实践创造了以“象”为词根的诸多概念、范畴,它们既是这一时期艺术实践的理论总结,也是“象”范畴的历史延展与时代创造。这些概念具有前后的连续性和差异性,是中国文学生命品格的体现。绪论以中国文论发展,特别是20世纪以来中国文论发展中“失语”现象及传统文论的现代价值为平台,审视和反思“象”范畴的研究得失,提出“象”与中国文论知识创造的研究问题。第一章提出“象”不仅是中国文论发生的基元,也是中国文论构成的主要线索。以文字诠释,文献旁证,意义阐发的方式探索“象”的生命意蕴。“易象”、汉字和汉语文学是“象”文化原理的具体落实,它们在实践中显示了强大的生命力和创造力。对“象”及子范畴的研究具有示范性,是创新中国文论知识生产、构建民族文论体系的重要方法。第二章以“象”的知识构型为中心,结合“易象”和汉字文化原理,围绕“意象”“兴象”和“意境”三个具有标志性的子范畴进行研究,发现“象”范畴在中国文学实践中所具有的摹仿创造、审美表现和人生体验作用。第三章以“象”的知识创造为中心,提出“观物取象”、“感”物生象和“味”物化象是“象”范畴知识创造的基本路径。它以观、感、味为核心,构建了仰俯体察、感而遂通、体用一元的知识创造方式,形成了“以象示象”“立象尽意”的表达模式,生成了“象外之象”“象外之境”的审美空间,体现了中国文论知识创造的主体性、理论构建的辩证性和概念创造的互文性特征。第四章以中国象思维为中心,提出中国象思维是原始思维的历史延展。“易象”是中国象思维成熟的标志,汉字是中国象思维的落实与发展。以“易象”和汉字为基础,中国象思维显示出符号性、象征性和创造性的思维特征。中国象思维与民族文化的知识创造与形态构型具有密切关系,它与形象思维、概念思维有联系也有区别。结语以“象”与中国文论知识生产创新为中心,认为近代以来中国文化的裂变构成了“象”范畴发生的新语境,而20世纪中国文论的知识生产经验为当代文论创新提供了新启示。另外,中国“原道”的知识生产场也在当代有了新延续,“象”作为中国历史文化的生命符号,是传统思想的重要载体,它在当代依然具有强大的生命力和创造性,是中国未来文论建设的重要内容。
[Abstract]:The paper takes the concept of "image" as the category of Chinese literary theory, and "image" and Chinese character are the unique life symbols of Chinese "image" culture. Under the cultural context of "harmony between heaven and man", it contains the theory of matter and human nature, which is an important field of mutual integration between the material world and the spiritual world. The literary practice of the same period has produced many concepts, categories, principles and propositions related to "image". They are original and native. It is the response of "elephant" to the artistic problems of different times. It is also an important content of constructing and embodying Chinese literary character. "Image" has laid the Chinese "image" cultural tradition and the Chinese image thinking. The creation principle of maturity is the creation principle of "looking for objects", which has formed the expression way of "image image" and "image of image". It enlightens people to explore the life of "elephant outside image". Chinese character is based on "elephant", it faces life, solidify life, inspires life and expresses life, it is created with strong perceptual characteristics. A variety of forms of Chinese literature have been made. The universality, extensive and continuous use of Chinese characters implemented and strengthened the cultural spirit of "the elephant" in China. "Yi Xiang" and Chinese characters have an important influence on the knowledge formation and creation of Chinese literary theory. "Yi Xiang", such as "image", is a deep-rooted concept in Chinese literary theory. The image of "art image" has been created, and "art image" embodies the cultural principle of "image". The Chinese character is the carrier of Chinese culture, the tool of the creation of Chinese literature, and the creation and implementation of the "art image". The practice of "art image" in different periods has created many concepts with "elephant" as the root of the word, and they are the artistic practice of this period. The summary of the theory is also the historical extension and time creation of the category of "elephant". These concepts have continuity and difference, which are the embodiment of the life character of Chinese literature. The introduction is developed by the Chinese literary theory, especially the "Aphasia" in the development of Chinese literary theory since twentieth Century and the modern value of the traditional literary theory as a platform, examining and reflecting on the modern value of the traditional literary theory. The first chapter puts forward that "elephant" is not only the basic element of the Chinese literary theory, but also the main clue of the Chinese literary theory. The "elephant" is the main clue of the Chinese literary theory. Literature is the concrete implementation of the "elephant" cultural principle. They show strong vitality and creativity in practice. The study of "elephant" and subcategory is exemplary. It is an important method to innovate the knowledge production of Chinese literary theory and construct the system of national literary theory. The second chapters focus on the knowledge configuration of "elephant", and combine the "image" and the Han Dynasty. The principle of character culture is to study the three symbolic subcategories of "image" and "artistic conception", and find the imitation creation, aesthetic expression and life experience of the category of "elephant" in Chinese literary practice. The third chapter centers on the knowledge creation of "elephant", and puts forward the "sense of image" and "feeling". The image and "taste" materialized image is the basic path of knowledge creation in the category of "elephant". It constructs the expression pattern of "looking up and down" with one yuan of knowledge creation way, forming the expression pattern of "image with image", creating the aesthetic space of "elephant outside image", and embodies the aesthetic space of "elephant outside". In the fourth chapter, the Chinese image thinking is the historical extension of the original thinking. The "image" is the symbol of the mature thinking of Chinese image, the Chinese character is the implementation and development of Chinese image thinking. On the basis of this, Chinese image thinking shows symbolic, symbolic and creative thinking characteristics. The knowledge creation and configuration of Chinese image thinking and national culture are closely related. It is related to the image thinking and conceptual thinking. The conclusion takes "elephant" and the Chinese literary theory of knowledge production innovation as the center, and thinks that China has been in modern times. The fission of culture constitutes a new context in the category of "elephant", and the knowledge production experience of Chinese literary theory in twentieth Century provides new inspiration for the innovation of contemporary literary theory. In addition, the knowledge production field of China's "original road" has also been renewed in the contemporary era. "Elephant", as the life symbol of Chinese historical culture, is an important carrier of traditional thought. Contemporary still has strong vitality and creativity, which is an important part of China's future literary theory.

【学位授予单位】：陕西师范大学
【学位级别】：博士
【学位授予年份】：2016
【分类号】：I206.2
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本文编号：1849596