唐五代词中的“屏山”意象考论

发布时间：2018-05-12 20:27

本文选题：屏山意象 + 唐五代词　；参考：《中山大学学报(社会科学版)》2017年04期

【摘要】：学界普遍将唐五代词中的"屏山"误解为一般屏风或折叠屏风,以致对屏山意象的丰富内涵与独特意境少有关注,对相关作品的解读也多有争议。综合相关文献与史料,可证明"屏山"专指山景画屏,包括折叠与独扇屏,颜色以青绿为主,屏画以蕴涵爱情传说的江南、西蜀山景为主。屏山意象奠基于唐诗,在晚唐温庭筠词中被提炼出来,与词婉约的体势相得益彰,故流行于唐宋词中。其形成的前提是唐五代屏风上山水画的流行,兴起的关键原因则是山景屏画与屏障形制相配合,在"拟山"上具有独至之妙,能不受时空限制的兴起望山念远之思,因此成就了屏山有别于真山与其它屏风的神韵和风采。
[Abstract]:Scholars generally misunderstand "Pingshan" in the ci of Tang and five dynasties as general screen or folding screen, so little attention is paid to the rich connotation and unique artistic conception of Pingshan image, and the interpretation of related works is also controversial. By synthesizing relevant documents and historical data, it can be proved that Pingshan refers to the mountain scenery painting screen, including folding and single fan screen, the color of which is mainly green, and the screen painting is mainly Jiangnan and Xishu mountain scenery which contain love legend. Pingshan image, based on Tang poetry, was extracted from Wen Tingyun's ci in the late Tang Dynasty, which was in harmony with the graceful style of ci, so it was popular in Tang and Song ci poems. The premise of its formation is the popularity of the screen paintings in the Tang and the five dynasties, and the key reason for its rise is that the mountain view screen works in harmony with the barrier shape, and it has the unique solstice on the "pseudo mountain", and it can look at the distant thoughts of the mountain without the rise of time and space restrictions. Therefore, Pingshan is different from the real mountain and other screen charm and style.
【作者单位】：中山大学中文系;
【分类号】：I207.23

【参考文献】