论晚明文人视域中的《逍遥游》

发布时间：2018-06-01 13:30

本文选题：晚明 + 《逍遥游》　；参考：《中华文化论坛》2017年08期

【摘要】：在晚明文人的视域中,尽管同一篇《逍遥游》却呈现出不同之相貌,并在主旨、地位、大小之辩、用处、逍遥之主体与途径等问题上存有一定的分歧。对于其因,或许我们更多地归为晚明的黑暗,其实那不过是一种单一性的消极理解面向的投射之结果。实际上,晚明文人们喜爱《逍遥游》,并作出多维度的解读,而非仅因社会的黑暗,其中还不乏与晚明人的心性需求、独立意识的觉醒、心学对主体性的张扬,以及当时整个社会的文化气息等主客观因素有着密切的关联性。
[Abstract]:In the vision of the literati in the late Ming Dynasty, although the same article "Happy Tour" presents different looks, there are some differences on the subject and approach of the theme, status, size, utility, and the subject and path of the free and unfettered. As for the cause, perhaps we are more of a late-Ming dark, in fact, it is a single negative understanding of the projection of the face. As a matter of fact, people in the late Ming Dynasty love "free and unfettered" and make a multi-dimensional interpretation, not just because of the darkness of society, but also because of the psychological needs of people in the late Ming Dynasty, the awakening of their independent consciousness, and the publicity of psychology to the subjectivity. And the cultural atmosphere of the whole society and other subjective and objective factors have a close relationship.
【作者单位】：肇庆学院政法学院;
【基金】：2015年度教育部人文社会科学研究规划基金项目“晚明儒释道视域中的庄学比较研究”(15YJA720013)成果
【分类号】：I206.2

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