浙东文人群与明前期文坛走向——从“元正统论”视角观照

发布时间：2018-06-28 01:54

本文选题：元末明初 + 浙东文人群　；参考：《苏州大学学报(哲学社会科学版)》2017年05期

【摘要】：明代文坛格局中,浙东文人群的主要意义在于承元。在忠实执行朱明王朝意志,快速修撰《元史》的进程中,浙东文人秉持"元正统论",概括提出元季创作总体上"通经显文"的特点,这也可以看作是明初的创作取向。基于"元正统论"而提出的"通经显文"创作观,没有因为浙东文人群退下文坛主宰地位而消失,代浙东文人群而起的江西派和台阁体,继续承元统之绪,以理学主导文学创作。直到"土木堡之变"动摇了"元正统论"的根基,更兼嘉靖时期与北元关系的变化,明代文坛才以复古运动的掀起而真正开启明季文风的锻造进程。
[Abstract]:In the literary world of Ming Dynasty, the main meaning of the people in eastern Zhejiang lay in Chengyuan. In the process of faithfully implementing the will of the Zhu Ming dynasty and rapidly revising the History of the Yuan Dynasty, the scholars in eastern Zhejiang uphold the "Yuan orthodoxy" and generalize the characteristics of the "general and explicit writings" in the Yuan Dynasty, which can also be regarded as the creative orientation in the early Ming Dynasty. On the basis of "Yuan orthodoxy" and put forward the "Tongjing explicit text" creation view, did not disappear because the East Zhejiang language crowd retreated from the dominant position in the literary world, and the Jiangxi School and the Taige style, which appeared on behalf of the East Zhejiang people, continued to bear the thread of the Yuan Dynasty. Neo-Confucianism dominates literary creation. Until "the change of civil engineering castle" shook the foundation of "Yuan orthodoxy" and the relationship between Jiajing period and the Northern Yuan Dynasty, the literary circles of Ming Dynasty began the forging process of the Ming monsoon style with the rise of the retro movement.
【作者单位】：浙江师范大学江南文化研究中心;
【基金】：国家社会科学基金项目“元代文人群体的地理分布与文学格局研究”(项目编号:15BZW052)的阶段性成果
【分类号】：I206.2

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