《世说新语》人物审美观研究

发布时间：2018-06-29 04:56

本文选题：《世说新语》 + 人物审美　；参考：《四川师范大学》2017年硕士论文

【摘要】：成书于刘宋初年的《世说新语》,是我国美学史上的一部重要的经典。它受到汉末以来人物品藻和玄学清谈风气的影响,用一种多角度的方式对当时人物的外在容止、内在人格等进行了新的审美描述和评价,改变了此前对人物审美的评价标准,使人物审美形成了一种脱离政治和道德伦理的独立的审美形态。文章共分为六个部分。绪论部分,主要阐述论文选题的意义、相关领域的研究现状以及研究思路。第二、三章从《世说新语》重视容止美和人格美的现象出发,通过这两个主要方面的论述得出《世说新语》所展现的“多元”化的人物审美观。同时认为,《世说新语》将“身体之美”作为独立的审美要素凸现出来,认为,人物外在的容止美和内在的人格美同样重要,因为内在的人格美需要通过外在的容止美才能得以显现,这在中国美学史上具有重大意义。第四章,文章探讨以“清”为美的《世说新语》人物审美观与“秀骨清像”之间的关系,论证了魏晋时期通过欣赏人物外在容止的清瘦、清丽、清秀来追求内在的清虚超脱与淡泊宁静。“秀骨清像”的造像风格和以“清”为美的审美观,体现了佛教强调自身修养、讲究禅静的精神,也体现了玄学不拘泥于形迹、直视自然本身的精神。文章认为,注重人的仪表风度,是魏晋时代人的自我意识觉醒的一个重要标志。而这种关注人物个体自身的思想和魏晋玄学有着不可分割的关系。因此,第五章又通过论述玄学清谈与人物气质、精神美的关系,分析了《世说新语》中重视容止美和人格美的原因。结语部分,总结《世说新语》人物美所达到的成就以及对后世的影响。
[Abstract]:Written in Liu's early Song Dynasty, it is an important classic in the history of Chinese aesthetics. Influenced by the atmosphere of character and metaphysics since the end of the Han Dynasty, it has carried out a new aesthetic description and evaluation of the characters' external tolerance and internal personality in a multi-angle way, thus changing the previous evaluation criteria for the characters' aesthetic appreciation. It makes the character aesthetic form an independent aesthetic form which is divorced from politics and moral ethics. The article is divided into six parts. The introduction part mainly elaborates the significance of the selected topic, the current research situation and the research ideas in related fields. Second, the third chapter starts from the phenomenon that "Shi Shuo Xin Yu" attaches importance to the beauty of tolerance and personality, and through the discussion of these two main aspects, the author draws the conclusion that the "plural" character aesthetic is shown in "Shi Shuo Xin Yu". At the same time, the author thinks that "the beauty of the body" is highlighted as an independent aesthetic element, and that the external beauty of the character is as important as the beauty of the inner personality. Because the inherent beauty of personality needs to be manifested through external tolerance, which is of great significance in the history of Chinese aesthetics. In the fourth chapter, the article discusses the relationship between the aesthetic perception of the characters and the image of Xiu Gu Qing, and demonstrates that in the Wei and Jin dynasties, by appreciating the thinness and beauty of the characters' external tolerance, Qingxiu to pursue the inner emptiness and tranquility. The figurative style of "Xiu Gu Qing" and the beauty of "Qing" embody the spirit of Buddhism emphasizing self-cultivation, stressing the spirit of meditation, and showing the spirit of metaphysics not restricted to signs and looking directly at nature itself. The article thinks that paying attention to the appearance of man is an important sign of the awakening of self-consciousness in Wei and Jin dynasties. But this kind of concern personage individual own thought and Wei Jin metaphysics has the inseparable relation. Therefore, the fifth chapter discusses the relationship between metaphysics, character temperament and spiritual beauty, and analyzes the reasons for attaching importance to the beauty of tolerance and personality in Shi Shuo Xin Yu. In conclusion, the author summarizes the achievements achieved by the beauty of characters and their influence on later generations.
【学位授予单位】：四川师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.41

【参考文献】