元代中后期伊斯兰文化与回族文学研究

发布时间：2018-06-29 08:39

本文选题：伊斯兰文化 + 回族文学　；参考：《北方民族大学》2017年硕士论文

【摘要】：元朝建立之后实施了各种新政策,使得社会进入一个相对宽松的时期。在这种背景下,伊斯兰“本土化”进程得到快速推进,回族文学也开始形成并在元代中后期涌现出一批优秀的回族文人及其作品。伊斯兰“本土化”进程主导了回族文人人格精神塑造及其文学审美取向。元代中后期回族文人人格精神塑造和文学审美取向又体现了元代回族文人丰富的创作风格和独特的文人精神风貌,这是研究元代中后期回族文人精神风貌不可忽视的重要部分,学界对此研究较少。有鉴于此,笔者对元代中后期伊斯兰文化及其回族文学之关系加以研究。本文通过五个章节来论述:第一章主要论述在“恩威相济”“兼容并蓄”的民族、宗教事务政策、扩建清真寺等主要社会、历史、文化背景中,伊斯兰文化在元代中后期的传播方式及发展情况;第二章主要论述伊斯兰文化与元代中后期回族文学人格精神形成。元代回族文学在伊斯兰“本土化”的特殊社会文化氛围中,体现出“仁爱”与“真忠”的政治思想,“两世吉庆”观与“崇高俊洁”的人格精神以及“仁心、心空、空灵”与“认主独一”的多重价值观,这三方面共同构成了元代中后期回族文人人格精神塑造的重要因素;第三章主要论述元代中后期回族文学的主题取向。伊斯兰“本土化”进程中,元代中后期回族文人的创作题材取向集中表现在“清净无染”与“纯真朴素”的清真情怀,“关怀现世”与“感念乱离”的济世精神,“流连山水”与“寄情怡性”的处世心态这三个方面;第四章主要从“纯朴自然”与“清朗俊逸”的洁净之美、阴阳之美与苍凉之美的艺术蕴含以及独特的民族气质与鲜明的宗教信仰这三个方面阐述元代中后期回族文学的审美特质;第五章主要论述伊斯兰文化与元代中后期回族文学的意义生成,元代中后期回族文学体现了异质文化与本土文化文学之间的互动关系,也丰富了元代诗坛文苑。同时,它还引领和推进了中国古代回族文学的发展。
[Abstract]:After the establishment of Yuan Dynasty, a variety of new policies were implemented, making society enter a relatively loose period. Under this background, the process of "localization" of Islam was rapidly promoted, and the literature of Hui nationality began to form and a group of outstanding Hui literati and their works emerged in the middle and late Yuan Dynasty. The process of "localization" of Islam dominates the shaping of the personality spirit of the Hui literati and its literary aesthetic orientation. The shaping of the personality spirit of the Hui literati in the middle and late Yuan Dynasty and the aesthetic orientation of the literature also reflect the rich creative style and unique literary spirit style of the Hui literati in the Yuan Dynasty, which is an important part of the study on the spiritual features of the Hui literati in the mid and late Yuan Dynasty. There is little academic research on this. In view of this, the author studies the relationship between Islamic culture and Hui literature in the mid-and late Yuan Dynasty. The first chapter mainly discusses the main social, historical and cultural background of the "Enwei Xiangji", "inclusive" nationality, religious affairs policy, the expansion of mosques and other major social, historical and cultural backgrounds. The second chapter mainly discusses the Islamic culture and the formation of the literary personality spirit of the Hui nationality in the middle and late Yuan Dynasty. In the special social and cultural atmosphere of "localization" of Islam, the literature of the Hui nationality of the Yuan Dynasty embodies the political thought of "benevolence" and "true loyalty", the view of "two auspiciousness" and the personality spirit of "lofty Junjie", and the "benevolent heart, empty heart". These three aspects constitute the important factors of shaping the personality spirit of the Hui literati in the middle and late Yuan Dynasty. The third chapter mainly discusses the theme orientation of the Hui literature in the middle and late Yuan Dynasty. In the process of "localization" of Islam, the creative theme orientation of the Hui literati in the middle and late Yuan Dynasty concentrated on the halal feelings of "pure and pure" and "pure and simple", and the relief spirit of "caring for the present world" and "disorderly separation of feelings". The fourth chapter focuses on the clean beauty of "pure nature" and "Qinglang Junyi". The artistic implication of the beauty of Yin and Yang and the beauty of desolation, as well as the unique national temperament and the distinct religious belief, expounded the aesthetic characteristics of the Hui nationality literature in the middle and late Yuan Dynasty. The fifth chapter mainly discusses the meaning generation of Islamic culture and the middle and late Yuan Dynasty Hui literature, which embodies the interaction between the heterogeneous culture and the native culture literature, and enriches the Yuan poetry literary circle. At the same time, it also led and promoted the development of ancient Chinese Hui literature.
【学位授予单位】：北方民族大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I206.2

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