取象与造境:《二十四诗品》景观意象的审美建构

发布时间：2018-11-25 07:15

【摘要】：《二十四诗品》传为晚唐司空图所著,是中国古代美学史上的经典名篇。《二十四诗品》中意象之精美、意境之超妙令后世学者心驰神往,言之不尽。这与"诗品"中景观意象的取象与造境有重要关系。在景观意象的逻辑建构上,从自然物象的选取到艺术意象的形成再到哲学意境的构造,三者一脉相承,一意相通;在景观意象的色彩建构上,彩色流韵、浓淡相成的色彩体系显现了道的流动变化和自然光华,也从侧面反映了唐代色彩美学的特点;在景观意象的形式结构上,《二十四诗品》的结构方式并不是线性的单向度的构成,而是呈现出回环往复的花形结构特征,与此相应,也形成了流动回环、似断实连的解读方式。总体来看,《二十四诗品》中意象的审美建构具有独特的中华美学趣味,与其说它是一部诗学专著,不如说它更是一部古典美学专著。
[Abstract]:< 24 Poems > is a classic masterpiece in the history of ancient Chinese aesthetics, which is handed down to the late Tang Dynasty, and the images in < 24 Poems] are exquisite, and the superfluous conception of the artistic conception makes the future scholars enchanted and inexhaustible. There is an important relation between landscape image and environment in Poems. In the logical construction of landscape image, from the selection of natural object image to the formation of artistic image to the structure of philosophical conception, the three are in the same vein and the same meaning; In the color construction of the landscape image, the color flowing rhyme, the thick and weak complementary color system showed the flowing change of the Tao and the natural splendor, and also reflected the characteristics of the Tang Dynasty color aesthetics from the side; In terms of the formal structure of the landscape image, the structure of < 24 poetry > is not a linear unidirectional structure, but a flower-shaped structure characteristic of reciprocating loop, which, accordingly, forms a flowing return loop. The way of interpretation seems to be broken. In general, the aesthetic construction of image in "24" has a unique Chinese aesthetic interest. It is not so much a monograph of poetics as a monograph of classical aesthetics.
【作者单位】：湖北大学文学院;
【基金】：国家社会科学基金重大资助项目:13ZD 072
【分类号】：I207.22

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