《西游补》“梦境”之研究
发布时间：2018-11-28 20:13
【摘要】：成书于明末的《西游补》是《西游记》众多续书中非常成功的一部。在情节设置上,董说充分发挥其想象力,从"火焰芭蕉"之后,"洗心扫塔"之前补入,写了行者被鲭鱼精所惑,坠入其设置的梦境。在"青青世界"、"古人世界"、"未来世界"里经历了种种磨难后,行者被虚空主人唤醒,走出梦境。全书通过层层梦境,表达了作者对现实和人生的深沉思考。《西游补》以"梦境"叙事,承载着董说多层次、多维度的创作目的。董说生活于明清易代之际,青年时期他参加复社、力主抗清,最终亲眼目睹了明朝灭亡的结局,后于灵岩寺落发为僧。多舛的命运中,董说的思想是复杂的:内心渴望积极入世,却无奈于现实的残酷。晚明内忧外患的局势、空前激化的社会矛盾,暴露出来的封建统治弊端,层层加重了董说的精神苦痛。故其于所作《西游补》中揭露奸邪淫行,批判情魔之虚,宣扬道根之实,并籍以寄托个人的苦闷与无奈。《西游补》在"梦境叙事"方面展现了作者非凡的创作才华。灵活多变的叙述视角是《西游补》"梦境叙事"的一大突出特点,作者在视角转换的过程中,增添了梦境的神秘之感,拉近了作品与读者的距离。叙事时空的多重性和跳跃性既扩充了梦境的空间,又丰富了梦境的内容。怪诞的语言风格为我们缔造了一个荒谬而不同寻常的梦境。多样的叙事文体则展现了中国文化独有的艺术魅力,等等。《西游补》成功的"梦境叙事"创作,在中国小说发展史上也有一定的意义。《西游补》从梦境类型、梦境题材以及梦境模式等不同方面,继承并拓展了传统的"梦文学"创作实践。相较此前的小说,《西游补》的"梦境叙事"在小说主题的深化、讽刺手法的运用、象征手法的运用,以及心理描写等方面,都有了进一步的发展。
[Abstract]:Completed at the end of Ming Dynasty, is a very successful part of the numerous sequels of Journey to the West. In the plot setting, Dong said to give full play to his imagination, from "flame plantain", before "washing heart sweep tower" in, wrote about the walker was bewildered by mackerel essence, fell into its setting dream. After all kinds of tribulations in Qingqing World, Ancient World and Future World, the walker was awakened by the empty master and walked out of the dream. Through the layers of dreams, the book expresses the author's deep thinking on reality and life. "the Dream" is narrated in "Dream", carrying Dong's multi-level and multi-dimensional purpose of creation. Dong said that when he lived in the Ming and Qing dynasties, he joined the Society in his youth, fought against the Qing Dynasty, and finally witnessed the end of the death of the Ming Dynasty, and later became a monk in the Lingyan Temple. In the ill-fated fate, Dong's thought is complicated: his heart longs for active entry into the WTO, but he is helpless in the cruelty of reality. The situation of internal and external troubles in the late Ming Dynasty, the unprecedented social contradictions, and the exposed malpractice of feudal rule aggravated Dong's spiritual suffering. Therefore, in his book "Xiyou Bun", he exposes the evil behavior of adultery, criticizes the void of love and evil spirits, preaches the truth of Doggett, and presents the author's extraordinary creative talent in "Dream narration" by relying on his own distress and helplessness. The flexible and changeable narrative angle is one of the prominent features of Dream narration. In the process of changing the visual angle, the author adds the mysterious feeling of the dream and draws the distance between the work and the reader. The multiplicity and jump of narrative space not only enlarge the space of dreams, but also enrich the contents of dreams. The grotesque language style creates an absurd and unusual dream for us. The variety of narrative styles shows the unique artistic charm of Chinese culture, and so on. The successful creation of "Dream narration" in the history of Chinese novels also has a certain significance in the history of the development of Chinese novels. Dream theme and dream mode inherit and expand the traditional "dream literature" creative practice. Compared with previous novels, "Dream narration" of "Travel to the West" has further developed in the following aspects: the deepening of the novel theme, the use of satire, the use of symbolism, and the psychological description.
【学位授予单位】：天津师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.41
本文编号：2364130
[Abstract]:Completed at the end of Ming Dynasty, is a very successful part of the numerous sequels of Journey to the West. In the plot setting, Dong said to give full play to his imagination, from "flame plantain", before "washing heart sweep tower" in, wrote about the walker was bewildered by mackerel essence, fell into its setting dream. After all kinds of tribulations in Qingqing World, Ancient World and Future World, the walker was awakened by the empty master and walked out of the dream. Through the layers of dreams, the book expresses the author's deep thinking on reality and life. "the Dream" is narrated in "Dream", carrying Dong's multi-level and multi-dimensional purpose of creation. Dong said that when he lived in the Ming and Qing dynasties, he joined the Society in his youth, fought against the Qing Dynasty, and finally witnessed the end of the death of the Ming Dynasty, and later became a monk in the Lingyan Temple. In the ill-fated fate, Dong's thought is complicated: his heart longs for active entry into the WTO, but he is helpless in the cruelty of reality. The situation of internal and external troubles in the late Ming Dynasty, the unprecedented social contradictions, and the exposed malpractice of feudal rule aggravated Dong's spiritual suffering. Therefore, in his book "Xiyou Bun", he exposes the evil behavior of adultery, criticizes the void of love and evil spirits, preaches the truth of Doggett, and presents the author's extraordinary creative talent in "Dream narration" by relying on his own distress and helplessness. The flexible and changeable narrative angle is one of the prominent features of Dream narration. In the process of changing the visual angle, the author adds the mysterious feeling of the dream and draws the distance between the work and the reader. The multiplicity and jump of narrative space not only enlarge the space of dreams, but also enrich the contents of dreams. The grotesque language style creates an absurd and unusual dream for us. The variety of narrative styles shows the unique artistic charm of Chinese culture, and so on. The successful creation of "Dream narration" in the history of Chinese novels also has a certain significance in the history of the development of Chinese novels. Dream theme and dream mode inherit and expand the traditional "dream literature" creative practice. Compared with previous novels, "Dream narration" of "Travel to the West" has further developed in the following aspects: the deepening of the novel theme, the use of satire, the use of symbolism, and the psychological description.
【学位授予单位】：天津师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.41
【参考文献】
相关期刊论文 前10条
1 万润保;陈艳华;;《西游补》的反《西游记》叙事[J];浙江工业大学学报(社会科学版);2011年01期
2 王通;林红;廖高会;;《西游补》对明末世风的揭露与讽刺[J];中北大学学报(社会科学版);2010年06期
3 冯自变;田同旭;;梦想颠倒嘲世情——《西游补》研究[J];太原师范学院学报(社会科学版);2010年06期
4 彭小芳;;典型的梦幻小说:《西游补》[J];安徽文学(下半月);2009年11期
5 王慧;何峰;;梦境在关汉卿涉梦戏中的作用[J];文学教育(下);2008年07期
6 孙智广;李政清;;迷离惝恍的梦幻世界——《西游补》梦说[J];新学术;2008年03期
7 左芝兰;;明末清初《西游记》续书的接续和衍生方式[J];中北大学学报(社会科学版);2007年S1期
8 杨峰;;董说与《西游补》三题[J];温州大学学报(社会科学版);2007年04期
9 赵红娟;;一部可以和世界文学接轨的古典小说——《西游补》新论[J];明清小说研究;2006年03期
10 赵红娟;;《西游补》与《西游记》关系新探[J];浙江学刊;2006年04期
相关硕士学位论文 前6条
1 高宇婷;梦境叙事的时空艺术[D];江西师范大学;2014年
2 白慧;唐代小说梦境研究[D];陕西师范大学;2012年
3 陈艳华;中国古代涉梦小说叙事研究[D];浙江工业大学;2012年
4 云燕;《西游补》研究[D];陕西师范大学;2010年
5 左芝兰;明末清初《西游记》续书研究[D];四川大学;2007年
6 王通;《西游补》思想与叙事艺术研究[D];山西大学;2006年
，本文编号：2364130
本文链接：https://www.wllwen.com/gudaiwenxuelunwen/2364130.html
