当前位置:主页 > 文艺论文 > 古代文学论文 >

论清代宫廷大戏

发布时间:2018-12-13 20:47
【摘要】:清代宫廷大戏,因为被视为为最高统治者服务的作品,还没有得到深入研究和客观评价。这些大戏是前代叙事文学的"蓄水池",汇聚了诸多的前代小说、戏曲。它们虽然不免"颂圣"、表达忠君思想,但因为编撰者也是文人,故其中仍然潜隐和寄寓了关注社会问题、扬善惩恶的文人情怀。它们大多由前代长篇小说改编,较好地实现了从小说到戏曲的文本转换。编撰者注重宫调、用韵、曲律等要求,实践了他们的曲学主张。故无论是戏曲史、小说史还是清代文学史的研究,都应该重视这些宫廷大戏。
[Abstract]:The court drama of the Qing Dynasty has not been studied and evaluated objectively because it is regarded as a work of service to the supreme ruler. These dramas are the cisterns of the former narrative literature, bringing together many previous novels and operas. Although they "eulogize" and express the idea of loyalty to the monarch, because the editor is also a literati, they still have hidden and implied concern for social problems, promote the good and punish evil literati feelings. Most of them were adapted from the previous novels, which realized the text conversion from the novel to the opera. Editors pay attention to the palace tune, rhyme, melody and other requirements, practice their theory of music. Therefore, both the history of drama, the history of novels and the history of Qing Dynasty literature should attach importance to these court plays.
【作者单位】: 中国人民大学文学院;
【基金】:国家社科基金重大项目“《全清戏曲》整理编纂及文献研究”(11&ZD107)阶段性成果 中国人民大学“统筹支持一流大学和一流学科建设”经费的支持
【分类号】:I207.37


本文编号:2377216

资料下载
论文发表

本文链接:https://www.wllwen.com/gudaiwenxuelunwen/2377216.html


Copyright(c)文论论文网All Rights Reserved | 网站地图 |

版权申明:资料由用户c7d42***提供,本站仅收录摘要或目录,作者需要删除请E-mail邮箱bigeng88@qq.com