宋代前期理学家诗研究
[Abstract]:"Neo-Confucianism" is a unique concept in China, which is generally divided into broad sense and narrow sense in interpretation. According to Ren Jiyu's History of Chinese philosophy, In a broad sense, Neo-Confucianism is a general term for the history of philosophy from the tenth century to the middle of the 19th century in the specific period of AD in China, including the whole ideological history of the feudal history after the Song Dynasty. "Neo-Confucianism" in the narrow sense refers to Zhou Dunyi, Shao Yong, Zhang Zai, Cheng Hao, Cheng Yi and other scholars through their own understanding, fusion of Confucianism, Buddhism and Taoism philosophy in the past in China, with "nature", "Tao", "fate" and "apparatus" as the core. "Neo-Confucianism" aims at the achievement of the "inner, holy and external kings". It is the result of the further integration of Confucianism, Buddhism and Taoism. In the Song Dynasty, the printing technique was developed, the number of books published was much higher than that of the previous dynasties, and in addition, the government and the opposition were still Confucianism and heavy literature. Therefore, the Song Dynasty had developed academically and had great achievements in poetry, so many Neo-Confucianism had entered the literary world and written a large number of poems. And his poetry creation is also tainted with Neo-Confucianism, spreading righteousness, so the poem of Neo-Confucianism came into being. The first chapter introduces the definition of the Neo-Confucianism and the general situation of the creation group in the early Song Dynasty. The poets are Sun Fu, Shi Jie, Hu Yuan and "five sons of the Northern Song Dynasty"-Zhou Dunyi, Zhang Zai, Shao Yong, Ercheng, respectively. There is also Chen Xiang, who has made little contribution to poetry and can not be ignored. The second chapter enumerates the themes and themes of the early Neo-Confucianism poems, respectively, which are the chronology of Huai, the type of reply and singing, the type of poetry singing history, the type of travel and writing scenery, and other themes, which are often shown in the introduction of each subject matter. The third chapter analyzes the style and features of the Neo-Confucianism poems in this period, and puts them down to the following three points: there is no carving in the art of poetry, and no work in poetry. It presents an elegant and simple style of poetry, deliberately close to the ancient poetry; more argumentation in the creative techniques, good reasoning; and the Confucian doctrine as the purport of poetry, showing a gentle and honest character. The fourth chapter analyzes the historical position and influence of the Neo-Confucianism poetry in the early Song Dynasty. The author thinks that the Neo-Confucianism poetry in the early Song Dynasty has an important position in the Chinese philosophical poetry, which is opposite to the metaphysical poems in the two Jin dynasties and the Buddhist poems in the Sui and Tang dynasties. Created the first Chinese Confucian philosophy poetry. And it also has the paradigm function to the later Neo-Confucianism poetry writing, including to the entire Song poetry said the rationality characteristic and the elegant good insipid esthetic orientation has the very big influence.
【学位授予单位】:宁夏大学
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:I207.22
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