现代题画诗研究
发布时间：2018-12-14 10:17
【摘要】：题画诗成于魏晋,兴于唐宋,到了清朝更是发展到了巅峰之势。近现代以来,中国社会与文化环境的复杂与动荡,导致题画诗的创作出现了新的局面和走向。但是,现代题画诗在整个发展进程中,不是新题画诗对传统古典题画诗的彻底取代,此二者在前进道路上是交叉互补的关系,现代题画诗的创作在延续古代传统的同时,又有自己的时代新变。鉴于此,本文将对中国现代题画诗进行整体性研究,并以经纬交错的文本结构,对现代题画诗的创作群体、创作概况、历史传承、时代新变以及价值等问题进行重点研究和探讨,力图廓清中国现代题画诗坛的整体风貌。总体上来看,虽然现代题画诗创作群体规模庞大、成分复杂、风格迥异,但是题画诗的创作主要呈现出传统和新变两种面貌。一方面,现代题画诗的写作大体上仍然承续着古人的创作传统,从语言、题材以及情感蕴含三方面来说:文言的,以山水、花鸟、人物等内容为题材的,具有浓厚古典情蕴的题画诗仍是所有现代题画诗中的主流。另一方面,受到近现代复杂历史与文化语境的多重影响,如“诗界革命”、“画界革命”、新文化运动等各种文艺改革运动,现代题画诗的创作又出现了新的走向和特点。最明显的变化表现在题画诗的语言、题材以及艺术风格三个方面,大致来说,白话书写,日常化、时代化的题材观照以及尚“意”到尚“趣”的风格转向是现代新题画诗的三个主要特点。当然,除了形式、风格等时代新变,现代题画诗作为我国独特的历史文化遗产而具有多重的价值。通过这些诗,我们可以研究诗人的创作思想,分析画家的画理、画论,了解社会的时代面貌等等,这同样值得我们关注。
[Abstract]:The painting poem was formed in Wei and Jin dynasties, developed in Tang and Song dynasties, and developed to the peak in Qing Dynasty. Since modern times, the complexity and turbulence of Chinese social and cultural environment have led to a new situation and trend in the creation of painting poems. However, in the whole development process of modern painting poem, it is not the complete replacement of new painting poem to the traditional classical painting poem, which is a cross and complementary relation on the way forward. While the creation of modern painting poem continues the ancient tradition, There are new changes in our own times. In view of this, this article will carry on the overall research to the Chinese modern inscription poem, and with the warp and weft staggered text structure, to the modern inscription poem creation group, the creation general situation, the historical inheritance, In order to clarify the overall style and features of Chinese modern painting poems, the new changes of the times and the problems of value are studied and discussed. On the whole, although the group of modern painting poems is large in scale, complex in composition and different in style, the creation of painting poems mainly presents two kinds of features: traditional and new. On the one hand, the writing of modern painting poems still inherits the ancient writing tradition, from the language, theme and emotional implication of three aspects: classical Chinese, with landscape, flowers and birds, people and other content as the subject matter, Painting poem with strong classical sentiment is still the mainstream of all modern painting poems. On the other hand, influenced by the complicated historical and cultural context of modern times, such as the revolution in poetry, the revolution in painting, the movement of new culture, and so on, the creation of modern painting poems has taken on new trends and features. The most obvious changes are reflected in the three aspects of the language, subject matter and artistic style of the painting poems. Generally speaking, vernacular writing, daily writing, The contemporary theme and the style shift from "meaning" to "interest" are the three main characteristics of modern new painting poems. Of course, in addition to the new changes in form and style, modern painting poems are of great value as our country's unique historical and cultural heritage. Through these poems, we can study the poet's creative thought, analyze the painter's painting theory, picture theory, understand the times of the society and so on, which is also worthy of our attention.
【学位授予单位】：湖南理工学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.22
本文编号：2378443
[Abstract]:The painting poem was formed in Wei and Jin dynasties, developed in Tang and Song dynasties, and developed to the peak in Qing Dynasty. Since modern times, the complexity and turbulence of Chinese social and cultural environment have led to a new situation and trend in the creation of painting poems. However, in the whole development process of modern painting poem, it is not the complete replacement of new painting poem to the traditional classical painting poem, which is a cross and complementary relation on the way forward. While the creation of modern painting poem continues the ancient tradition, There are new changes in our own times. In view of this, this article will carry on the overall research to the Chinese modern inscription poem, and with the warp and weft staggered text structure, to the modern inscription poem creation group, the creation general situation, the historical inheritance, In order to clarify the overall style and features of Chinese modern painting poems, the new changes of the times and the problems of value are studied and discussed. On the whole, although the group of modern painting poems is large in scale, complex in composition and different in style, the creation of painting poems mainly presents two kinds of features: traditional and new. On the one hand, the writing of modern painting poems still inherits the ancient writing tradition, from the language, theme and emotional implication of three aspects: classical Chinese, with landscape, flowers and birds, people and other content as the subject matter, Painting poem with strong classical sentiment is still the mainstream of all modern painting poems. On the other hand, influenced by the complicated historical and cultural context of modern times, such as the revolution in poetry, the revolution in painting, the movement of new culture, and so on, the creation of modern painting poems has taken on new trends and features. The most obvious changes are reflected in the three aspects of the language, subject matter and artistic style of the painting poems. Generally speaking, vernacular writing, daily writing, The contemporary theme and the style shift from "meaning" to "interest" are the three main characteristics of modern new painting poems. Of course, in addition to the new changes in form and style, modern painting poems are of great value as our country's unique historical and cultural heritage. Through these poems, we can study the poet's creative thought, analyze the painter's painting theory, picture theory, understand the times of the society and so on, which is also worthy of our attention.
【学位授予单位】：湖南理工学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.22
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