《极花》的乡村叙事与意义建构
发布时间:2019-05-22 12:40
【摘要】:正贾平凹的《极花》延续了他90年代以来小说中传统与现代、城市与乡村对立冲突的创作主题和"密实的流年式的叙写"等特征。小说中作者人格对象化的叙事视角,对当代农村现状的全息纪录,对城乡文明的再反思以及"微观写实"和"宏观写意"相结合的叙事风格,都显示出贾平凹小说创作上的不断努力与自我创新。《极花》取材于真实的拐卖妇女事件,
[Abstract]:Zheng Jia Pingao's "the extreme Flower" continues the creative theme of the antagonistic conflict between the traditional and modern, the city and the countryside in his novels since the 1990s, and the "dense chronological narration" and so on. In the novel, the author's personality object narrative perspective, holographic records of the present situation in contemporary rural areas, re-reflection on urban and rural civilization, and the narrative style of the combination of "micro realism" and "macro freehand brushwork", They all show the continuous efforts and self-innovation in Jia Pingao's novel creation. "extreme Flower" is based on the real incident of trafficking in women.
【作者单位】: 黄冈师范学院;
【分类号】:I207.42
[Abstract]:Zheng Jia Pingao's "the extreme Flower" continues the creative theme of the antagonistic conflict between the traditional and modern, the city and the countryside in his novels since the 1990s, and the "dense chronological narration" and so on. In the novel, the author's personality object narrative perspective, holographic records of the present situation in contemporary rural areas, re-reflection on urban and rural civilization, and the narrative style of the combination of "micro realism" and "macro freehand brushwork", They all show the continuous efforts and self-innovation in Jia Pingao's novel creation. "extreme Flower" is based on the real incident of trafficking in women.
【作者单位】: 黄冈师范学院;
【分类号】:I207.42
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