夏敬观词学理论批评及创作研究

发布时间：2019-05-27 12:24

【摘要】：夏敬观是晚清民国时期著名的词学理论家兼词人,其词学活动广涉创作、校勘、批评、鉴赏等诸多领域,对晚近词坛具有重要的影响。本文主要对夏敬观词学理论批评及创作实践展开详细论述。在词体本源问题上,夏敬观重视词体音乐属性,将词乐粘合,并厘清“腔调”与“律调”的不同义界。在词体历史嬗变衍说中融入诗教理念,将词体源起推溯至《诗经》时代。在创作主体论说中,他承袭常州派“真率”、“书卷”等观念,揄扬性情,标举襟抱。在“词”“学”关系命题阐释上,又提出“学人而兼词人”的理想之境,主张学养襟抱与真率性情的相因相济、相辅相成。在词学创作方法论方面,夏氏将数十年创作经验得失融入《蕙风词话铨评》之中,指示后学作词步骤,提出了从初学门径到词法、句法、章法的一系列看法与主张。在探讨词学创作原则时,夏敬观传承“潜气内转”的前代论说,关注其矛盾断裂之处,将概念内涵绵延深化。在词学批评鉴赏论中,他对“重拙大”命题进行批驳阐释,并以之作为衡词标准,推许唐五代及北宋词。在创作实践中,夏氏词作从题材上大致分为闺情、家国及友情三部分,其词作风貌既有对温韦花间的传袭,又有对家国覆亡的抑郁哀思,体现出时代更迭的鲜明色调。总体而言,夏敬观词学理论批评及创作实践,能于传统中兼容并蓄、转益多师,博览众家之长,而熔铸自身独特面目。在晚清民国词家群体中,确为头角峥嵘的词坛大将。
[Abstract]:Xia Jingguan was a famous theorist and poet of ci in the late Qing Dynasty and the Republic of China. His ci activities involved in many fields, such as creation, collation, criticism, appreciation and so on, which had an important influence on the ci world in the late Qing Dynasty and the Republic of China. This paper mainly discusses Xia Jingguan's theory criticism and creative practice. On the issue of the origin of ci style, Xia Jingguan attaches importance to the musical attribute of ci style, binds the word music to each other, and clarifies the different meanings of "tone" and "rhythm". The idea of poetry teaching is integrated into the theory of historical evolution of ci style, and the origin of ci style is traced back to the era of the Book of songs. In the theory of creative subject, he inherits the concepts of Changzhou school, such as "true rate" and "book volume". In the interpretation of the relationship proposition of "ci" and "Learning", this paper also puts forward the ideal environment of "scholar and poet", and advocates that the relationship between learning and cultivation is combined with the true rate of temperament, which complements each other. In terms of the methodology of ci creation, Xia integrated the gains and losses of decades of creative experience into the Civil Service Review of Huifeng ci, instructed the steps of learning to write words after learning, and put forward a series of views and propositions from the beginner to lexical, syntax and chapter. When discussing the principles of ci creation, Xia Jingguan inherits the previous theory of "latent gas transfer" and pays attention to the breaking of its contradictions and deepens the connotation of the concept. In the theory of appreciation of ci criticism, he refuted and explained the proposition of "heavy clumsy and great", and used it as the standard of weighing ci, and deduced the ci of Tang and five dynasties and the Northern Song Dynasty. In the creative practice, Xia's ci works are roughly divided into three parts: boudoir love, home country and friendship. The style of his ci works is not only the transmission of Wen Weihua, but also the depressed and sad thoughts on the fall of the family country, which reflects the bright tone of the change of the times. Generally speaking, Xia Jingguan's theoretical criticism and creative practice can be inclusive in the tradition, change more teachers, explore the strengths of many families, and cast their own unique face. In the late Qing Dynasty, the group of poets in the Republic of China was indeed a big general in the world of ci.
【学位授予单位】：南昌大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.23

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