“梅村体”歌行的文体突破及其价值
发布时间：2019-08-24 10:10
【摘要】："梅村体"歌行在清代广有影响。其创体成功常被归因于经典模拟,细察却可见对传统诗体的重新选择及改造。吴梅村兼为诗人和剧作家,"梅村体"的叙述角度、结构设置、语言修辞等方面都不难看出戏曲模式的渗透。这一戏曲对诗歌的文体渗透发生在"辨体"意识高涨的清初诗坛,突破了文体互动的尊卑等级惯例,是相当大胆的举动。其"破体"动力来自吴梅村诗歌与戏曲互通的文体观,以及以诗歌容纳复杂人情、贴近世俗生活的多元价值需求。类似需求也见于同代其他诗人,是晚明以来诗歌寻求自我突破潮流的一部分。文体互渗对明清文学发展的意义,尚有待研究者挖掘。
[Abstract]:The singing practice of Mei Cun style had a wide influence in Qing Dynasty. The success of its creation is often attributed to the classical simulation, but the re-selection and transformation of the traditional poetry can be seen. Wu Mei Village is also a poet and playwright. It is not difficult to see the infiltration of opera mode from the narrative angle, structure setting and language rhetoric of Mei Cun style. The stylistic infiltration of this opera into poetry occurred in the poetry world in the early Qing Dynasty, which broke through the practice of inferiority and inferiority in stylistic interaction, and it was a very bold move. The motive force of "broken style" comes from the stylistic view of the exchange of poetry and opera in Wu Mei Village, as well as the pluralistic value demand of accommodating complex human feelings with poetry and being close to the secular life. Similar needs are found in other poets of the same generation and are part of the quest for self-breakthrough in poetry since the late Ming Dynasty. The significance of stylistic infiltration to the development of literature in Ming and Qing dynasties needs to be excavated by researchers.
【作者单位】： 四川大学中国俗文化研究所;
【基金】：国家社会科学基金项目“易代之际文学思想研究”(项目编号14ZDB073)阶段性成果
【分类号】：I207.22
本文编号：2528897
[Abstract]:The singing practice of Mei Cun style had a wide influence in Qing Dynasty. The success of its creation is often attributed to the classical simulation, but the re-selection and transformation of the traditional poetry can be seen. Wu Mei Village is also a poet and playwright. It is not difficult to see the infiltration of opera mode from the narrative angle, structure setting and language rhetoric of Mei Cun style. The stylistic infiltration of this opera into poetry occurred in the poetry world in the early Qing Dynasty, which broke through the practice of inferiority and inferiority in stylistic interaction, and it was a very bold move. The motive force of "broken style" comes from the stylistic view of the exchange of poetry and opera in Wu Mei Village, as well as the pluralistic value demand of accommodating complex human feelings with poetry and being close to the secular life. Similar needs are found in other poets of the same generation and are part of the quest for self-breakthrough in poetry since the late Ming Dynasty. The significance of stylistic infiltration to the development of literature in Ming and Qing dynasties needs to be excavated by researchers.
【作者单位】： 四川大学中国俗文化研究所;
【基金】：国家社会科学基金项目“易代之际文学思想研究”(项目编号14ZDB073)阶段性成果
【分类号】：I207.22
【相似文献】
相关期刊论文 前10条
1 高永年;论梅村体的个性风貌[J];江苏社会科学;2004年02期
2 叶君远;论“梅村体”的形成和发展[J];社会科学辑刊;2005年01期
3 严迪昌;;“梅村体”论[J];语文知识;2007年03期
4 付华;;“茶村体”与“梅村体”、“神韵体”比较研究[J];天中学刊;2009年01期
5 沐金华;;论梅村体[J];盐城师专学报(社会科学版);1988年02期
6 程相占;论“梅村体”的用典[J];山东大学学报(社会科学版);1996年01期
7 林启柱;梅村体在文学史上的地位和影响[J];渝州大学学报(社会科学版);1999年02期
8 叶君远;论“梅村体”[J];南京师范大学文学院学报;2002年02期
9 黄治音;;“梅村体”的形成源流[J];安徽文学(下半月);2009年03期
10 张宇声;论“梅村体”所受李、杜歌行之影响[J];淄博学院学报(社会科学版);2000年04期
相关硕士学位论文 前3条
1 曾垂超;论梅村体[D];福建师范大学;2002年
2 常鸿雁;论梅村体及其影响[D];辽宁师范大学;2011年
3 陈卓;论“梅村体”对唐代七言歌行的继承与发展[D];安徽大学;2007年
，本文编号：2528897
本文链接：https://www.wllwen.com/gudaiwenxuelunwen/2528897.html
