失踪了的中国新诗传统

发布时间：2018-01-20 18:17

本文关键词： 新诗传统东南大学汉语诗歌宗白华五四新文化运动陈独秀诗性智慧政治革命北京大学理论建构　出处：《扬子江评论》2008年03期 　论文类型：期刊论文

【摘要】：20世纪末以来,汉语诗歌陷入了困境与危机,这也是中国文学进入全球化语境后自身弱点的充分显露。辑录这组"21世纪汉语新诗发展走向"笔谈文章的意图即是:检索新诗历史的缺失,在寻根探源中发掘汉语诗美的质素,确立新诗标准,为21世纪汉语诗歌理论建构提供新的参照。姜耕玉的《新诗"革命性"对自身的遮蔽》回眸百年新诗历程,意在反思"革命"观念对新诗自身的遮蔽,从而挖掘汉语诗性智慧;王珂的《新诗应该重视艺术性和制作性》则聚焦于汉语诗歌的语言意识,在标准失范的当下语境中强调新诗标准的构建策略;赵思运的《失踪了的新诗传统》考察了国学背景下东南大学新诗先驱的诗学足迹,以期为21世纪汉语诗歌的发展提供有益的借鉴。
[Abstract]:Since the end of 20th century, Chinese poetry has fallen into a dilemma and crisis. This is also the full exposure of the weakness of Chinese literature in the context of globalization. The intention of this group of "the development trend of Chinese new poetry in 21th century" is to search for the missing of the history of new poetry. To explore the quality of the beauty of Chinese poetry and establish the standard of new poetry. In 21th century, it provides a new reference for the theoretical construction of Chinese poetry. Jiang Ganyu's "Revolution" of "New Poetry" covers itself. Looking back on the century-old history of new poetry, it is intended to reflect on the "revolution" concept of the shelter of the new poetry itself. In order to excavate the Chinese poetic wisdom; Wang Ke's "New Poetry should attach importance to artistry and production" focuses on the linguistic consciousness of Chinese poetry, and emphasizes the construction strategy of the new poetry standard in the current context of standard anomie. Zhao Siyun's "the tradition of missing New Poems" examines the poetic footprints of Southeast University's new poetry pioneers in the context of Chinese culture, in order to provide a useful reference for the development of Chinese poetry in 21th century.
【作者单位】：东南大学艺术学院;
【分类号】：I207.25
【正文快照】： 新诗已经九十岁了,但是它的身体里充满着躁动、惊悸与紧张,“打倒”、“pass”的呼声不绝于耳,颠覆与反叛成了主流。先是20世纪初的革命情结从政治上的叛逆波及到思想、文化乃至整个诗学传统的颠覆;一直到80年代,“先锋”竟然成了最最时髦的主流文化,21世纪初,“先锋到死”的

【共引文献】