民国时期中国美术史写作的分期方法研究

发布时间：2018-04-19 05:15

本文选题：中国美术史 + 现代美术教育　；参考：《美术观察》2017年01期

【摘要】：正中国古代的画史编写者多为画家或鉴赏家,著述范围只限于中国美术,自唐宋以后著述的方向主要以文人美术为主,使用的资料多来自文献和见闻,研究方法以品级品评方法为主。民国时期随着西学的引进,国外美术史著作的传人,中国的美术史学也开始从传统形态向现代形态转变。民国时期的美术史学者大都在国内或海外接受过现代美术教育,又具有深厚的国学功底,以陈师曾、滕固、郑昶等为代表的美术史家批判地继承古代书画史的传统,自觉探索现代美术史观和方法论,为发展中国现代美术史学做出了巨大贡献。美术史写作中的分期问题较为鲜
[Abstract]:The writers of painting history in ancient China are mostly painters or connoisseurs, and their works are limited to Chinese fine arts. Since the Tang and Song dynasties, the works have been mainly directed towards literati art, and the materials used are mostly from literature and literature.The research method is grade evaluation method.In the period of the Republic of China, with the introduction of western learning and the succession of foreign works of art history, Chinese art history began to change from traditional form to modern form.Most of the art historians in the period of the Republic of China received modern art education at home or abroad, and they also had a deep foundation in the study of Chinese culture. The artists represented by Chen Shizeng, Teng Gu and Zheng Chang critically inherited the tradition of ancient calligraphy and painting history.Exploring the view and methodology of modern art history consciously has made great contribution to the development of Chinese modern art history.The problems of staging in the Writing of Art History
【作者单位】：天津理工大学艺术学院;天津大学工笔重彩研究所;
【基金】：天津市艺术科学规划重点项目“20世纪‘天津画派'画家艺术思想遗产的整理与研究”成果,项目编号E14012 教育部人文社会科学规划项目“以图像为核心——中国古代陵墓调查与研究历史考辨”成果之一,项目编号14YJC770001
【分类号】：J209.2

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