“九狮山”与中国园林史上的动势叠山传统

发布时间：2018-04-19 01:07

本文选题：风景园林 + 中国园林史　；参考：《中国园林》2016年12期

【摘要】：在中国园林的历史和遗存的认识中,以"九狮山"为代表的动物象形叠山所受评价颇有争议。进入历史与文化语境进行理解,"九狮山"等叠山与源远流长的动物象形赏石密切相关,是一种关注动势的叠山传统,重点在于从动势中获得生命感。而差异的观念则溯自晚明时出现的画意叠山,以张南垣的"张氏之山"为代表,注重自然真山的整体效果,同时也有内在生命活力的追求。后者在明末成为主流,其后成为另一种叠山传统,影响直至今日;但在清代仍然有多样性的存在,"九狮山"这样的动势叠山仍然活跃。对动势叠山传统的了解,以及2种叠山传统的差异及关联的认识,将有助于对历史多样遗存的合理理解和评价,进而为遗产保护及营造实践提供有效指引。
[Abstract]:In the history and remains of Chinese gardens, the evaluation of the animal pictographs represented by Jiushi Mountain is controversial.In the context of history and culture, Jiushi Mountain is closely related to the ancient animal pictographs and stone appreciation. It is a tradition of overlapping mountains which pays close attention to the dynamic, and the emphasis is to obtain the sense of life from the motility.The concept of difference dates back to the late Ming Dynasty, represented by Zhang Nanyuan's "Mountain of Zhang", focusing on the overall effect of the natural mountain and the pursuit of inner vitality.The latter became the mainstream in the late Ming Dynasty, and later became another kind of overlapping mountain tradition, which influences to this day. However, in the Qing Dynasty, there is still diversity, such as "Jiushi Mountain" is still active.The understanding of the tradition of dynamic overlapping mountain and the difference and relation of the two kinds of overlapping mountain tradition will be helpful to the reasonable understanding and evaluation of various historical relics and thus provide effective guidance for the protection of heritage and the practice of building.
【作者单位】：东南大学建筑学院景观学系;
【基金】：国家自然科学基金青年科学基金项目(编号51308103)资助
【分类号】：TU-098.4

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