图像，一种经济哲学分析的向度

发布时间：2018-03-12 23:34

本文选题：图像　切入点：视觉　出处：《上海财经大学》2006年博士论文　论文类型：学位论文

【摘要】：图像进行大规模的商品生产是图像经济时代的根本特征。图像经济的发展推动着现代社会经济的进步。特别是在全球化的背景下,以韩国,日本以及欧美等国家为代表,图像产业逐渐成为发达国家的支柱产业。同时,图像产业的发展带来人类认知方式的改变。因此,本文试图展开对图像的经济哲学分析,从图像的价值论和认识论出发,运用一定的经济哲学范畴,在经济伦理的层面上把握图像产业的发展方向。从原始图像到认知图像再到艺术图像,人类对图像的认知是一个发展、演进的过程。图像作为伴随人类认知发展出现的事物,它不仅仅只是一般意义上的物质商品,还具有深刻的哲学意识和图像符号寓意。原始图像自从诞生以来就具有强烈的精神意义。它一方面具备简单直观的模仿特征,另一方面也充分表达了原始社会的精神需求和原始心理。原始图像是原始社会的粘合剂,直接对原始人类的行为和价值取向起着引导作用。在图像认知阶段,从柏拉图到亚里士多德,诸多哲学家对图像的“理和式”的结合作了深入的探悉。图像在传播中经历了视觉、感觉和知觉三个过程,在此过程中,人们对图像的认知是一个理念不断整合的过程。以中世纪和文艺复兴时期的艺术图像为例,人类运用艺术图像表达认知的水平达到了炉火纯青的地步。从对神的膜拜到返归自身的过程中,人的理念在各种艺术图像中得到淋漓尽致的表达。比如,图像的宗教主题和对人的讴歌反映了不同时期图像艺术的发展特征。在更深的层面上说,图像的直观问题一直哲学关心的主题。所谓直观就是对事物的瞬间把握和整体形成。图像的直观性就表现为一种原始思维。以笛卡尔、斯宾诺莎为代表,古典哲学家对直观问题都有着深入地分析。阿恩海姆进一步认为,直观直接导致视觉思维的形成,表现出若干特征,特别是在催生意会知识方面起着关键的作用,并促使其向言传知识转化。在美学上,黑格尔重点探讨了图像和心灵自由表达的关系,海德格尔则对人的存在与美和真理的关系作了深入的表述。在对图像阐释的各种理论中,以现象学和阐释学的理论影响最大,然而马克思关于人的本质力量对象化理论是对图像解读、阐释最为本质的揭示。图像的符号意义也是图像哲学关心的重点,它包括肖似意义、指示意义和象征意义。图像在能指和所指层面的游离是图像魅力不减的根源。图像符号在现代社会成为拜物教,是因为现代图像的生产其实就是一种图像符号生产,也是一种差异的生产和不同等级的生产。符号产生符号秩序,对生产方式的占有转变为对符号意义的占有,符号就是差异与等级的标志。所以,如何摆脱图像符号的社会意识形态操控是人认识图像符号意义的关键。而图像的象征是对图像符号意义的进一步深入,包括直接意义和间接意义。它也是人类最古老和最基本的一种表达经验意识和认识世界的方法。当下,在视觉文化背景下图像符号消费的精神特征是图像文化的核心。它不仅仅是人的文化水平的象征、对人潜意识的满足、对自我价值的实现,同时也是对人的社会身份的一种认同。这种图像文化直接导致了
[Abstract]:The image of commodity production scale is the basic characteristics of image economy era. The development of image economy promotes the modern social and economic progress. Especially under the background of globalization, South Korea, Japan, Europe and other countries as the representative image industry has become a pillar industry in the developed countries. At the same time, bring human cognitive change in the way of development the image of industry. Therefore, this paper tries to analysis the image of economic philosophy, from the perspective of image value and epistemology, the use of economic philosophy to some extent, grasp the image development of the industry in the direction of economic ethics level.
From the original image to the cognitive image to art image, the image of human cognition is a development and evolution process. As the image with the human cognitive development of things, it is not just a general sense of material goods, but also has profound philosophical consciousness and image symbol meaning. The original image since the birth of strong the spiritual significance. On the one hand it has the characteristics of simple imitation, on the other hand, the expression of the primitive society's spiritual needs and primitive psychology. The original image is the binder of primitive society, directly to the original people's behavior and value orientation plays a guiding role. In the image cognitive stage, from Platon to Aristotle, with the many philosophers of the image "and" in-depth analysis. Through the visual image in the dissemination, sensation and perception of three process, in this process, people Cognition of the image is a process of the concept of continuous integration. In the artistic image of medieval and Renaissance art as an example, the use of human cognitive image expression level reached a high degree of excellence. From the worship of the gods to return to their own process, the concept of the most incisive expression in various art images. For example, the image of the religious theme and the Acura reflects the development features of image art in different periods.
At a deeper level, the problem of image visual theme has been concerned. The so-called philosophy is intuitive to things instantly grasp and the overall form. The visual image is shown as a kind of primitive thinking. With Descartes, Spinoza as the representative of the classical philosophers of visual problems are analyzed deeply. Arne Heim further thought intuitively, directly led to the formation of visual thinking, and showed some characteristics, especially plays a key role in urging business knowledge, and promote the transformation of knowledge to explain. In aesthetics, Hagel focuses on the relationship between expression of image and spiritual freedom, Heidegger is on the relationship between human existence and beauty and truth the expression of various theories on image interpretation. In the theory, influence to phenomenology and hermeneutics. However, Marx on the objectification of man's essential power theory is on the map Like interpretation, the most essential revelation is explained.
Symbolic image is also focused on the image of philosophy is concerned, it includes the same meaning, significance and symbolic meaning. The image in the signifier and the signified level free image is the root of charm. Image symbols become fetishism in modern society, because modern image production is a kind of image is a symbol of production. For the production of differences and different levels of production. The symbol symbolic order, change the mode of production of the possession on the symbolic significance of the possession, symbol is the difference and level. So, how to get rid of the image symbols of social ideology control is the key of image meaning understanding. And the image is the symbol for further image meaning, including direct and indirect significance significance. It is also the oldest and most basic expression of a conscious experience and understanding of the world. At the moment, The spirit image features of symbol consumption in the background of visual culture is the core of image culture. It is not only a symbol of people's cultural level, to meet the human subconscious, the realization of self value, a kind of identity but also for people's social identity. This directly led to the image culture

【学位授予单位】：上海财经大学
【学位级别】：博士
【学位授予年份】：2006
【分类号】：F0-02

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