漆呓人生——初探松田权六的漆艺世界

发布时间：2018-05-08 20:42

本文选题：日本漆艺 + 松田权六　；参考：《南京艺术学院学报(美术与设计)》2015年02期

【摘要】：漆艺术,被我们的东海邻邦日本国奉为"国术"。虽然考古发掘得到的7000多年以前河姆渡时期的"朱漆木碗",佐证了中国是漆器的发源地,从日本漆艺专业术语中也可以窥见漆艺技术来源于中国,但是日本国却在学习传承中国漆艺的过程中,不断创新各种技艺与手法,并最终将漆艺发展推向了繁荣的巅峰。西方国家亦习惯性地称日本为"漆国","Japan"(日本)在英文单词中,也作为"漆艺"的代名词使用,可窥漆艺在日本国登峰造极之一斑。在日本漆艺的发展繁荣过程中涌现出了不少杰出人物,被称为"人间国宝"的松田权六及他的高超的莳绘技法则起到了举足轻重的作用,如果说莳绘技术是日本漆艺术中最具代表性的工艺技术的话,那么松田权六和他的高超莳绘技法就是日本近现代漆艺发展史上的重要承上启下者。本文将从即将通过对松田权六的漆艺创作轨迹、艺术观以及其在日本漆艺史上的重要作用三个方面来探寻他的漆艺世界与漆呓人生,来窥探日本国近现代漆艺发展之一隅。
[Abstract]:Lacquer art, by our East China Sea neighboring Japan as a "national art." Although archaeological excavations obtained more than 7000 years ago Hemudu period "Zhu lacquer wooden Bowl", confirmed that China is the origin of lacquer ware, from the Japanese lacquer art technical terminology can also be seen from China lacquer art technology. However, in the process of learning and inheriting Chinese lacquer art, Japan constantly innovated various techniques and techniques, and finally pushed the lacquer art development to the peak of prosperity. Western countries also habitually call Japan "lacquer country". "Japan" is also used as a synonym for "lacquer art" in English. In the process of the development and prosperity of Japanese lacquer art, many outstanding figures emerged. Matsuda Quan6, known as the "national treasure of the world," and his superb painting techniques played an important role. If Shis painting technology is the most representative technology in Japanese lacquer art, then Matsuta Quanliu and his superb painting technique is an important link in the history of modern Japanese lacquer art. This article will explore the world of lacquer art and the life of lacquer talk from three aspects of Matsuta Quanliu's lacquer creation track, art view and its important role in the history of Japanese lacquer art, so as to explore a corner of the modern lacquer art development in Japan.
【作者单位】：南京艺术学院设计学院;
【分类号】：J527

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