当前位置:主页 > 经济论文 > 旅游经济论文 >

现代陶艺装饰语言探究

发布时间:2018-05-09 11:38

  本文选题:现代陶艺 + 装饰语言 ; 参考:《山东理工大学》2013年硕士论文


【摘要】:随着经济社会的发展,快节奏、高速度的现代生活使人们的精神高度紧张,人们对于艺术品的需求也随之发生变化。随着国门打开、外来文化的交流和冲击、国内艺术和文化变革的需求,人们更多的追求自然原始的艺术作品,渴求能够回归自然,使生活因此更加轻松愉快,而具有自然粗犷艺术风格的现代陶艺正顺应人们的情感与审美需求及时代潮流,从此现代陶艺开始在中国登上艺术舞台。作为一种新的装饰观念和存在形式,现代陶艺兴起于20世纪80年代中期,在多元艺术思潮和运动影响下于短短的二十几年时间里发展迅速并衍生出多元化的风格,并以传统材质和技法作为创作手段,这种充满自由化、多元化而且倾向于人们现代审美的艺术形式开始介入并改造我们生活的环境,提升了我们的生活质量。 中国的现代陶艺虽然正在逐步完善并形成一定的规模,但是相比于西方还有一定的差距,伴着时代的发展和进步,人们满足了物质富有和精神文明更加注重情感的表达和情绪的共鸣,对于陶瓷艺术家来说,发展开拓新的陶艺局面就必须开放自己的思想,使作品更个性自由,提高艺术家的创新意识。世界各种艺术思潮对中国的现代陶艺有重要的影响,但艺术风格、类型及特征等方面并没有完全西化,陶艺家们以中国传统陶艺文化作为文化底蕴,丰富和发展了中国的现代陶艺,使其应用范围越来越广泛。 本文着重以西方现当代的各种艺术思潮为主线,细致的介绍了现代陶艺装饰语言的特征和艺术风格,现代陶艺虽然是新兴艺术但在现代艺术中开始占据重要地位,对我们的生活也产生了很大的影响。中国古代优秀的装饰是中华艺术中的一朵奇葩。目前,我国的现代陶艺还处于“东西合璧,古今碰撞”的局面,在设计理念、技术手段和文化观念方面都有待提高,但是这四、五年中国现代陶艺所取得的各种成就,却已经让国外许多陶艺家感到兴奋和惊讶。因此,我们需要更深入的研究理解现代陶艺装饰语言,以我们深厚的文化底蕴为基础,丰富我国现代陶艺作品的丰富性、多样性,提高中国的国际舞台的知名度,全方位的认识现代陶艺装饰的语意,巩固我国作为“陶瓷大国”的地位,使我们现代陶艺达到世界先进的艺术水平。
[Abstract]:With the development of economy and society, the rapid pace and high speed of modern life make people's spirit highly nervous, and the demand for art also changes. With the opening of the country, the exchange and impact of foreign cultures, and the need for domestic art and cultural change, people are seeking more natural primitive works of art and desire to be able to return to nature, so that life can be more relaxed and enjoyable. And the modern pottery art with natural rough art style is complying with people's emotion and aesthetic demand and the trend of the times. Since then, modern pottery art has been on the art stage in China. As a new decorative concept and form of existence, modern ceramic art rose in the mid-1980s. Under the influence of multiple artistic trends and movements, it developed rapidly in a short period of more than 20 years and derived a diversified style. With traditional materials and techniques as the creative means, this liberalized, diversified and inclined to people's modern aesthetic art began to intervene and transform our living environment, improve our quality of life. Although China's modern ceramic art is gradually improving and forming a certain scale, but compared with the West, there is still a certain gap, accompanied by the development and progress of the times. People are satisfied with material wealth and spiritual civilization pay more attention to emotional expression and emotional resonance. For ceramic artists, it is necessary to open up their own thoughts and make their works more personal and free in order to develop a new ceramic art situation. To raise the artist's consciousness of innovation. All kinds of artistic trends in the world have an important influence on the modern ceramic art in China, but the artistic style, types and characteristics have not been completely westernized. Enriched and developed the Chinese modern pottery art, makes its application scope more and more widespread. This article focuses on the western modern and contemporary trends of thought as the main line, detailed introduction of modern ceramic decorative language features and artistic style, although modern ceramic art is a new art, but in the modern art began to occupy an important position, It has also had a great impact on our lives. The excellent decoration in ancient China is a wonderful flower in Chinese art. At present, our country's modern ceramic art is still in the situation of "the combination of east and west, ancient and modern collision," in the design concept, technical means and cultural concepts all need to be improved, but the four or five years of China's modern ceramic art has made various achievements. However, many overseas ceramic artists have been excited and surprised. Therefore, we need to study and understand the decorative language of modern ceramic art more deeply, based on our profound cultural heritage, to enrich the richness and diversity of our country's modern ceramic works, and to raise the visibility of China's international stage. Comprehensive understanding of the language meaning of modern ceramic decoration, consolidation of our country as a "ceramic country" position, so that our modern ceramic art to achieve the world's advanced level of art.
【学位授予单位】:山东理工大学
【学位级别】:硕士
【学位授予年份】:2013
【分类号】:J527

【参考文献】

相关期刊论文 前10条

1 廖志英;试论古今陶艺装饰中的象征性[J];景德镇陶瓷;2004年03期

2 李扬帆;;表象与意蕴:象征的设计意义[J];科教导刊(中旬刊);2010年02期

3 郭庆豫;;试论现代陶艺创作的感性思维[J];美术大观;2011年11期

4 邵建秋;;浅谈现代陶艺的艺术特色及其在我国的发展趋势[J];景德镇陶瓷;2010年03期

5 林冰;现代陶艺创作的情感因素[J];陶瓷科学与艺术;2005年03期

6 李砚祖;生活之物与艺术之物——中国传统陶瓷的艺术与文化[J];文艺研究;2002年06期

7 杭间;语焉不详的中国“现代陶艺”——90年代以来中国现代陶艺的现实和问题[J];文艺研究;2003年01期

8 黄胜;;自然朴素 浑然天成——陶艺创作中的自然美[J];文艺研究;2007年10期

9 郑宁;从诠释“陶艺”说起[J];装饰;2003年10期

10 黄胜;;现代陶艺创作中的写意性[J];文艺研究;2008年09期



本文编号:1865880

资料下载
论文发表

本文链接:https://www.wllwen.com/jingjilunwen/lyjj/1865880.html


Copyright(c)文论论文网All Rights Reserved | 网站地图 |

版权申明:资料由用户942a3***提供,本站仅收录摘要或目录,作者需要删除请E-mail邮箱bigeng88@qq.com