从见证之物到形象——论国有博物馆体制叙事立场的转变
发布时间：2018-11-02 11:33
【摘要】：改革开放以来,国有博物馆的叙事范式经历了由物、形象至景观的变化,简单说即藏品由"见证之物"向"形象"的转变。通过分析推动该转变背后的博物馆一系列反思——即信任"见证之物"的纯自然性;对藏品作为"见证之物"及"形象"这一矛盾未察或含糊化立场;有意识地利用这一矛盾;以及视觉叙事策略的大众化这四种立场,"形象"背后的博物馆体制本身的结构性关系的自我调整,以及其中的问题亦得以显现。
[Abstract]:Since the reform and opening up, the narrative paradigm of state-owned museums has undergone a change from object, image to landscape. In short, the collection has changed from "witness" to "image". Through the analysis of a series of reflections on the museum behind the transformation, that is, the pure nature of trust in the "thing of witness", the lack of investigation or ambiguity of the contradiction between the collection as a "thing of witness" and "image", the conscious use of this contradiction; As well as the popularizing of visual narrative strategy, the self-adjustment of the structural relationship of the museum system behind the "image" and the problems in it are also revealed.
【作者单位】： 南京大学哲学系;南京大学人文社会科学高级研究院;
【基金】：周宪教授主持的教育部哲学社会科学研究重大课题攻关项目“当代中国社会转型中的视觉文化研究”(项目批准号:12JZD019)的阶段性成果
【分类号】：G269.2
本文编号：2305890
[Abstract]:Since the reform and opening up, the narrative paradigm of state-owned museums has undergone a change from object, image to landscape. In short, the collection has changed from "witness" to "image". Through the analysis of a series of reflections on the museum behind the transformation, that is, the pure nature of trust in the "thing of witness", the lack of investigation or ambiguity of the contradiction between the collection as a "thing of witness" and "image", the conscious use of this contradiction; As well as the popularizing of visual narrative strategy, the self-adjustment of the structural relationship of the museum system behind the "image" and the problems in it are also revealed.
【作者单位】： 南京大学哲学系;南京大学人文社会科学高级研究院;
【基金】：周宪教授主持的教育部哲学社会科学研究重大课题攻关项目“当代中国社会转型中的视觉文化研究”(项目批准号:12JZD019)的阶段性成果
【分类号】：G269.2
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