东方好莱坞:香港电影思潮流变与工业图景

发布时间：2018-03-22 20:29

本文选题：香港电影　切入点：本土意识　出处：《艺术百家》2017年04期 　论文类型：期刊论文

【摘要】：香港是一个电影的城市,商业化包装下的香港电影不仅散发出独特的艺术魅力,承载着几代港人的情感记忆,也为华语电影工业提供了充分的香港经验和发展思路。植根于殖民历史和商业社会的香港电影,暗含着商业性和娱乐性的特质,成为华语电影版图的重要脉流。时至今日,北上的香港电影以合拍片的方式逐渐成长为华语电影的主力军,承载着传播主流文化、增强文化软实力等多重希冀,促进了多元化、多类型、多品种电影新格局的生成,有效革新了内地电影的制作观念和创作思想。文章将视角聚焦于20世纪80年代以来的香港电影思潮流变,并紧紧依循这条主线,动态呈现香港电影在文化、美学、市场和工业层面的变革历程。一方面,将"香港电影"放置在历史坐标体系内,从"香港电影新浪潮""‘九七大限’风潮"再到"港人北上",纵深爬梳其演变历程,呈现香港电影思潮的发展脉络和流变规律;另一方面,将"香港电影"作为审视香港社会文化的"横断面",探求香港电影工业转型、港人北上的内在复杂动因,以期能够全面、立体化地描摹出香港电影的跨域新图景。
[Abstract]:Hong Kong is a city of films. The Hong Kong films under commercial packaging not only exude unique artistic charm, but also bear the emotional memories of generations of Hong Kong people. Hong Kong film, rooted in colonial history and commercial society, implies commercial and entertaining characteristics, and has become an important network of Chinese film territory. Hong Kong films going northward have gradually grown into the main force of Chinese-language films in the form of co-productions, carrying many hopes of spreading mainstream culture and enhancing cultural soft power, thus promoting the formation of a new pattern of diversified, multi-type and multi-variety films. The article focuses on the evolution of Hong Kong film trend since the 1980s, and closely follows this main line to present the culture and aesthetics of Hong Kong film. On the one hand, the "Hong Kong Film" was placed in the historical coordinate system, from "the New Wave of Hong Kong Film" "the 1997 Spring Festival" to "the Hong Kong people going northward" and combed its evolution. On the other hand, taking "Hong Kong Film" as the "cross section" to examine Hong Kong's social culture, and exploring the intrinsically complex causes of the transformation of Hong Kong's film industry and Hong Kong people's going northward, in order to be comprehensive. Three-dimensional depiction of Hong Kong film cross-domain new picture.
【作者单位】：中国文联;上海大学上海电影学院;
【分类号】：J943

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